Metz Bicycle Museum

The New Jersey Museum of Boating is open 7 days a week, 365 days per year, and offers free guided and self-guided tours of a robust collection of maritime arts and artifacts celebrating New Jersey’s boating history. NJMB welcomes the general public, but especially youth of middle and high school ages, and all boating and New Jersey history enthusiasts. Currently housed at the historic Johnson Brothers Boat Works in Point Pleasant, the museum uses just about every inch of its 2000 square feet of space.

The mission of Historic Morven, Inc. is to “preserve and operate the National Historic Landmark known as Morven as a museum and public garden showcasing the cultural heritage of New Jersey.” Morven’s historic garden includes a formal, grand lawn dotted with majestic trees, beds of heirloom annuals from the 18th and 19th centuries, and a re-creation of the Colonial Revival style garden that was planted at Morven in the early 20th century. Spring bulbs appear in April, followed by peonies and iris in May. The phlox burst forth in June and continue through August, concluding with a late summer display of dahlias and other annual flowers.

The Ocean County Historical Society Museum and Research Center was built in several stages, beginning in 1820. The final phase of construction was the Research Center, completed in 1990. The museum is dedicated to the mission of the Society founders: Telling The Stories of Ocean County.

In 1895, the New Jersey State Legislature formally established the New Jersey State Museum in the capital city of Trenton with a mission to collect and exhibit specimens in natural history, archaeology, and industrial history. The State Museum was initially accredited by the American Association of Museums in 1974. Since 1983 it has been a division of the New Jersey Department of State.

The Waterhouse Museum is dedicated to the work of life-long New Jersey resident, Charles Waterhouse, who combines the experiences of WWII Marine, historian, combat artist, painter, illustrator, author, and sculptor to masterfully create and powerfully reflect the blood, sweat, and tears of the sacrifices and heroic measures undertaken throughout history to preserve our nation’s fundamental freedoms. The Waterhouse Museum now hosts some four hundred pieces of original artwork, the largest “on display” collection of Waterhouse’s works in the United States. It remains steadfast in its purpose to preserve, perpetuate, and display this lifetime body of historical artwork as a visual and experiential endowment to the American public. <br> The Museum was founded in June 1999, and first opened its doors to the public on January 6, 2000.

One of the most overlooked eras of art is the European 19th to early 20th century works of such artists as Alma-Tadema, Barye, Leighton, Merson, Navez, Picou, Troyon, and Vernet. The Dahesh Museum of Art was opened with the sole principle of bringing these incredible pieces of art to life. The genesis esperienced at this Manhattan museum expands knowledge and impacts the world with these forgotten treasures. Within its cozy and small interior lie several exhibitions that showcase these artists and promote the vision on which the museum was founded. As the museum is more geared towards the education on this lost period of art, patrons are able to enjoy in-depth analysis of the work as presented by the museum curators. In Spring and Summer 2012, the museum has continued to acquire new and unique pieces with special focus being drawn to a variety of oil on canvas works which are sure to open eyes and enchant minds to all who visit. The Dahesh Museum of Art is more than just another theater district tourist attraction; it is an added value experience of a lost era that Manhattan is proud to call its own.

The 10 buildings on the campus contain 29,000 square feet of exhibit space and 33,000 square feet of public program, collections storage, archives, library and administration space. The exhibits and programs are supported by 20,000 square feet of boat collection storage located a short distance from the Museum's main campus. In the last decade the Museum has undertaken a substantial capital expansion program to consolidate its real estate holdings and construct buildings and infrastructure worthy of its collection and programs. From humble beginnings as a riverside gathering of antique boat enthusiasts, the Antique Boat Museum has evolved into a national institution which makes substantial economic and cultural contributions to Clayton, the North Country region and the preservation of North America's maritime heritage.

Folk Art is an award-winning publication of the American Folk Art Museum. The editorial content is geared toward collectors, scholars, and the museum community interested in traditional and contemporary American folk and decorative arts. Folk Art is a membership benefit and delivered to a targeted national and international readership. In addition, Folk Art is sold at the two museum shops and on select newsstands throughout the country. Folk Art is a nonprofit magazine and is part of the educational programming of the American Folk Art Museum.

Many Americans can trace their ancestral roots to immigration through the New York system. The Lower East Side Tenement Museum offers an opportunity to understand directly what their families went through. This Manhattan museum delivers a remarkable re-creation of New York City’s past. Apart from the traditional glass-housed displays, the museum goes above and beyond, featuring several reconstructed apartments that show the day-to-day life of New York immigrants. Complete with actors and actresses, these apartments allow visitors to assume the role of a newly arrived immigrant and interact as if they were really there. The tours of the apartments even give visitors the opportunity to handle the household objects and completely blur the line between yesterday and today. Summer 2012 goes a step further with a walking tour of the Lower East Side, providing a firsthand account of the when’s, where’s and why’s of immigrants in Manhattan. Another feature during the summer will be a series of educational lectures from today’s immigrants, providing a fresh perspective on the reasons for immigration and the hardships of migration. Unlike many more traditional museums, the Lower East Side Tenement Museum is a fully interactive experience that must be seen to be believed. Easily accessed from all of New York, one must make the time to find out exactly where their families came from.

The museum is a world-class institution of fine art located at 235 Lake Street in Elmira, New York USA. and open Tuesdays through Saturdays from 10am - 5pm. Housed in its original 1833 showcase with a grand late-twentieth century gallery addition, the museum displays its permanent collection of 17th to 19th century European paintings, 19th and 20th century American art. Temporary exhibitions highlight various aspects of the collections and include works from around the world. Its nationally-recognized exhibition Re-presenting Representation features the best in contemporary representational art and complements the museum's growing collection of contemporary work.

Coggeshall Farm Museum is a living history farm set on 48 acres in Bristol, Rhode Island. The museum depicts Bristol's agrarian life in the year 1799 through live interpretation, historic structures, and heirloom plants and animals.

Welcome to the National Museum of American Illustration, where artworks from the ‘Golden Age of American Illustration’ and from other eras are presented in the ‘Gilded Age’ architectural frame of Vernon Court (1898). Visitors can appreciate the American Imagist Collection as a medley of beautiful pictures, but also as a historical overview of a unique culture.

Founded in 1822, the RIHS is the fourth-oldest historical society in the United States and is Rhode Island’s largest and oldest historical organization. In Providence, the RIHS owns and operates the John Brown House and Museum, a designated National Historic Landmark, built in 1788; the Aldrich House, built in 1822 and used for administration and public programs; and the Library of Rhode Island History, where archival, book and image collections are housed. In Woonsocket the RIHS manages the Museum of Work and Culture, a community museum examining the industrial history of northern Rhode Island and of the workers and settlers, especially French-Canadians, who made it one of the state’s most distinctive areas.

Built in 1913 and finished the following year, this East Greenwich landmark channeled Medieval design principles into its sturdy brick facade. For nearly eight decades starting in 1918, the structure served as home base for Rhode Island's Guard units until the final departure in early 1996. Walking through during winter months, you'll notice how the historic architecture holds its own against the cold New England weather, creating an almost fortress-like atmosphere inside. The space now houses a Military & Naval Museum packed with artifacts spanning generations, and the building itself earned a spot on the National Register of Historic Places for its architectural significance and role in the state's defense history.

Dating back several centuries, Smith's Castle remains today a Rhode Island and American treasure.

In addition to the basic mission of acquiring, preserving and exhibiting its collections, the Museum seeks to foster an appreciation for and understanding of the visual arts. In the spirit of this endeavor, the Museum supports the educational role of the University by presenting exhibitions and programs that are relevant to its entire curriculum and offers a welcoming cultural and educational resource to both campus and regional communities.

Walk through the doors of a museum that broke new ground when it welcomed visitors back in May 1998—the first Pennsylvania Historical and Museum Commission addition in two decades. You're stepping into a space devoted to the U.S. Brig Niagara, the reconstructed warship that turned the tide at Lake Erie during the War of 1812, and now permanently berthed here as a living centerpiece of the collection. Winter visits carry a particular magic, with the ship's silhouette against grey skies and quiet galleries that let you linger over the multimedia displays and hands-on exhibits chronicling the vessel's remarkable journey. The museum brings this maritime legacy vividly to life through interpretive programming and engaging installations that dig deep into Pennsylvania's connection to the water and the region's seafaring past.

The Design Center at Philadelphia University is the rare institution solely devoted to design, showing us just how design shapes everyday life. Through its presentation of gallery exhibitions, enrichment programs, lectures and special events, the center reflects Philadelphia University's extensive design curriculum encompassing architecture, landscape architecture, interior design, graphic design, textile design, fashion, interactive media and product design. The Center's library and collection serve as outstanding resources for scholarly research and provide inspiration to designers, artists, educators, students and aficionados.

Please Touch Museum, the children’s museum of Philadelphia. Please Touch is designed for families with young children and since 1976, has dedicated itself to enriching the lives of children by creating learning opportunities through play. <br> Let your child be your guide as they interact with our museum exhibits, take part in museum activities or enjoy one of our interactive theater performances.

The Andy Warhol Museum is a vital forum in which diverse audiences of artists, scholars and the general public are galvanized through creative interaction with the art and life of Andy Warhol. The Warhol is ever-changing and constantly re-defining itself in relation to contemporary life, using its unique collections and dynamic, interactive programming as tools

As the Smithsonian Institution's museum of African American history and culture, the Museum explores American history, society, and creative expression from an African American perspective. The museum encourages the collection, protection, and preservation of materials that reflect the history and traditions of families, organizations, individuals, and communities.

The mission of the International Spy Museum is to educate the public about espionage in an engaging manner and to provide a dynamic context that fosters understanding of its important role in and impact on current and historic events. The Museum focuses on human intelligence and reveals the role spies have played in world events throughout history.

The Corcoran Gallery of Art stands as a major center of American art, both historic and contemporary. Founded “for the purpose of encouraging American Genius,” the Corcoran’s extensive collection of 18th, 19th, and 20th century American art represents most significant American artists. The Corcoran possesses a fine collection of European art as well. While continuing its efforts to represent historic American works, the gallery also encourages modern European and American artists by showing and purchasing their work, paying particular attention to artists in the Washington area.

The National Postal Museum, a Smithsonian Institution museum, is located in the old Post Office building next to Union Station in Washington, D.C. The Museum was created by an agreement between the Smithsonian Institution and the United States Postal Service in 1990 and opened to the public in 1993.

Founded by American collector and heiress to the Post cereal empire Marjorie Merriweather Post, Hillwood Estate, Museum & Gardens is one of the premier art collector’s museums in the United States. The museum features the most comprehensive collection of Russian imperial art outside of Russia and a world-renowned collection of eighteenth-century French decorative art and furnishings. The collection includes Fabergé eggs, Russian porcelain, Russian Orthodox icons, Beauvais tapestries, and Sèvres porcelain. Encircled by woodlands, the twenty-five acre estate provides visitors a tranquil oasis of luscious formal gardens.

The mission of The Brick Store Museum is to preserve the rich heritage of the Kennebunks for year-round residents, seasonal visitors and future generations through the collection, preservation, interpretation and exhibition of its material culture.<br/> History - William Lord was born at Kennebunk Landing in 1799, the third son of Tobias Lord and Hephzibah Conant Lord. As a merchant and ship owner, Lord became one of Kennebunk’s most important patriarchs and citizens. In 1820 he married Sarah Cleaves of Biddeford, and they lived in what was then the Jonas Clark house at 20 Summer Street. It sits high on the hill and is now known as the William Lord Mansion, a private residence. It was here that Lord and his wife raised their large family of 10 children.

The Baltimore Tattoo Museum hopes that what you see at the museum will inspire you to come check out the history of electric tattooing, and if you dare, get a tattoo yourself!

Geppi’s Entertainment Museum is dedicated to presenting the story of popular culture since the nation’s earliest days in an entertaining and educational fashion so that our guests have the unique opportunity to walk through a timeline that parallels and is entwined with history as a whole.

Here at the JMM, visitors can uncover the roots of Jewish history in our landmark historic sites – the Lloyd Street Synagogue, built in 1845, now the nation’s third oldest surviving synagogue and B’nai Israel Synagogue, built in 1876 and still home to a vibrant congregation. Our Museum Campus includes three exhibition galleries featuring fascinating and diverse exhibitions that explore in depth, the Jewish American experience. The Museum offers a wide range of programs and special events for children, adults, and families as well as a research library and family history center. We invite students of all ages to experience the rich vitality of Jewish culture and heritage on and off-site through our education programs.

America's most important, historic and comprehensive collection lives to tell the story of railroading every day. Forty acres of heritage and a world class collection await your discovery!

The National Great Blacks In Wax Museum is among the nations most dynamic cultural and educational institutions. Because it is a wax museum committed solely to the study and preservation of African American history, it is also among the most unique. Primarily, the presentation of life-size, life-like wax figures highlighting historical and contemporary personalities of African ancestry defines its uniqueness.

Find your smile at the National Museum of Dentistry! Smile-inspiring exhibitions and innovative programs make a national impact to educate the public about the importance of good oral health to a healthy life.

Explore the depth and diversity of African artistic traditions through rotating collections that span masks, woven textiles, carved figures, intricate jewelry, and resonant musical instruments. The museum brings these pieces to life via hands-on workshops, engaging lectures, and curated gallery experiences designed for everyone from curious kids to lifelong learners. Winter visits offer a particularly intimate atmosphere within the elegant nineteenth-century Oakland manor in Columbia, where the quieter season creates space for reflection alongside the vibrant stories each artifact tells. The institution reaches far beyond its walls through school partnerships, community outreach initiatives, and travel opportunities that deepen connections to African cultures. Housed in this historic restored estate and supported by a network of donors, corporate partners, and foundations, the museum remains dedicated to welcoming underrepresented communities and ensuring African art belongs in every conversation about cultural heritage.

The Mission, Purpose and Objectives of the Museum are: to focus on the heritage of Blacks from their origin in Africa through the Trans-Atlantic passage, participation with the Underground Railroad, the struggle for civil rights, and their accomplishments across the African Diaspora.

It might seem that an institution like a museum is carved in stone, but since its founding in 1912, the Delaware Art Museum has actually changed a great deal. Our Centennial Timeline, installed in the Museum’s Orientation Hallway, is a look at how things were and how they have changed, both here at the Museum and in the community that we serve. To put the Museum’s historical achievements in context, the Timeline mirrors notable Museum milestones with important local and world events. <br/> A century ago, the Museum started life with an original purchase of approximately 100 Howard Pyle paintings. That collection has grown to include 12,000 works of art by great American masters such as Winslow Homer, artists of the Pre-Raphaelite Brotherhood, and well-known American illustrators. The Museum’s name and physical space have also changed considerably. Originally called the Wilmington Society of the Fine Arts, and then the Delaware Art Center, the Museum officially became the Delaware Art Museum in the early 1970s. And although we spent decades traveling around—with no permanent gallery space—the Museum now encompasses 80,000 square feet of exhibition and administrative space, four studio art classrooms, and a sprawling 9-acre sculpture park—the first of its kind in the region.

For the child who believes milk comes from the grocery store instead of a cow, for the woman who remembers using a cornsheller on her grandmother's farm, the family who takes twentieth century technological advances and the farmer for granted, the Delaware Agricultural Museum and Village offers a memorable and educational experience. By preserving the quickly fading agricultural heritage of Delaware and the Delmarva Peninsula, the Museum stands as an important legacy for future generations.

The mission of the Peabody Museum is to serve Yale University by advancing our understanding of earth’s history through geological, biological, and anthropological research, and by communicating the results of this research to the widest possible audience through publication, exhibition, and educational programs. <br/> Fundamental to this mission is stewardship of the Museum’s rich collections, which provide a remarkable record of the history of the earth, its life, and its cultures. Conservation, augmentation and use of these collections become increasingly urgent as modern threats to the diversity of life and culture continue to intensify.

The Submarine Force Museum, located on the Thames River in Groton, Connecticut, maintains the world's finest collection of submarine artifacts. It is the only submarine museum operated by the United States Navy, and as such is the primary repository for artifacts, documents and photographs relating to U.S. Submarine Force history. The museum traces the development of the "Silent Service" from David Bushnell's Turtle, used in the Revolutionary War, to the Ohio and Virginia class submarines. <br> The museum's collections include more than 33,000 artifacts, 20,000 significant documents and 30,000 photographs. With so many holdings, the displays change frequently and a return visit will be a new experience. The 6,000 volume reference and research library is a world-renowned collection relative to the history of U.S. submarines and is open to anyone looking for information on submarines or submarine history.

Come experience the only remaining examples of the N&W's legendary success at the Virginia Museum of Transportation: the N&W Class A 1218 and the Class J 611. In our Rail Yard, explore historic steam and diesel engines, cabooses, and other rail equipment as modern trains rumble past. Inside the Museum, enjoy model trains, hands-on exhibits, and stroll among our antique automobiles, and truck and bus exhibits.

The Virginia Museum of Fine Arts houses a remarkable permanent collection of more than twenty-two thousand works of art from almost every major world culture. Especially noteworthy are the museum’s collections of Art Nouveau, Art Deco, and Modern and Contemporary American art donated by Sydney and Frances Lewis; French Impressionist and Post-Impressionist art and British sporting art given by Mr. and Mrs. Paul Mellon; American art acquired through the J. Harwood and Louise B. Cochrane Fund; The Lillian Thomas Pratt Collection of Fabergé jeweled objects; and The Jerome and Rita Gans Collection of English Silver. The museum’s holdings of South Asian, Himalayan, and African art are among the finest in the nation.

The mission of the National Firearms Museum is to develop and manage educational programs that promote appreciation, understanding, and participation in gun collecting, and the preservation of the heritage of firearms through collection, conservation, exhibition and research as part of a nationally recognized museum in America.

The mission of the Drug Enforcement Administration (DEA) Museum and Visitors Center is to educate the American public on the history of drugs, drug addiction and drug law enforcement in the United States through engaging and state-of-the-art exhibits, displays, interactive stations and educational outreach programs.

Here you will see one of the world's largest TITANIC exhibit. A 28 foot detailed model is the centerpiece in the collection of artifacts and memorabilia. The famous R. M. S. Titanic, so carefully designed to be called "unsinkable", on her maiden voyage took 1500 people with her to a watery grave on April 14, 1912. The museum's collection includes photographs taken by the Wood's Hole Oceanographic Institution, a recorded account of the tragedy by a Titanic survivor, and a video tape of the vessel's discovery. The Marine Museum's newest exhibit, The Andrea Dora, is now open. This exhibit includes photographs, videos, artifacts and a model of the Italian liner which sank off the coast of Nantucket in the summer of 1956.

Imagine a museum dedicated to the region and nation's rich glass heritage. A place where examples of thousands of products can be viewed and compared and where the stories of people and processes come to life! The MAGWV provides this and much, much more.

Founded in 1983 in Portsmouth, the Children's Museum of New Hampshire relocated to Dover in 2008. It offers a blend of art, science and cultural experiences for families. At the heart of our mission is a commitment to offering access to all children and families by minimizing barriers that prevent fair and meaningful educational and cultural opportunities. Since its inception, the Museum has served over 2 million people from New Hampshire and beyond. The Children's Museum is New Hampshire's most visited educational and cultural institution. In our three years in Dover, the Museum has reached over 280,000 students and families from 110 New Hampshire towns and cities, communities throughout New England, and visitors from all over the world. 50% of our visitors came in free or with reduced admission, and 24% are from underserved audiences.