A corporation established by Deborah Fraulo, Carolyn Mackey & Allison Noto. After a decade of winning numerous awards and successfully teaching dance to students at local dance studio's, after school programs, competitions and auditions, these three young women decided it was time to make their long time dream a reality. In March of 2004 they set into motion their long anticipated "NEW BEGINNING" Deborah, Carolyn & Allison's success & love for teaching & choreographing led them to open their very own dance studio.

Academia Body Gym, quatro anos de sucesso. Ótimos profissionais, tecnologia de ponta, ambiente climatizado e super motivante. 300 m ² de salão de musculação, o melhor do Body System, aulas com telão e jogo de luzes

The original center for dance, musical theatre and performance in Park Slope for both Children and Adults. In September we begin our 34th year of business in this community. Our facility, new construction in 2007, is located at 630 Sackett Street (between 3rd and 4th Avenues) and offers: large, state of the art dance floors - both floating and sprung, central air conditioning and heating, storefront access for ease with strollers, less street congestion for those who drive, public transportation 1 block away on both buses and subway and close to schools in Park Slope, Carroll Gardens and Gowanus neighborhoods.

"Despite the tough economic times, some good news! This season is special we’ll be celebrating our Ten-year Anniversary with fun-fill Events to highlight our accomplishment. Come rejoice in our success, as we continue our momentum into the next decade.
Our commitment to our customers and evolving program has allowed worthy result. Since our founding we have remained focus on building a relationship with our customers and community, consistently providing the highest quality of service. This strategy has result in 10 years, we are thrilled to be celebrating such a significant milestone!"

Alexandra Beller/Dances is an ensemble of highly skilled dancer/actors working on the edge between dance and theater. Rich with personal revelations, performances attempt to move, stimulate, impassion and incite the audience. Ripe with metaphor, abstracted narrative and controversial ideas, the dances traffic through the dangerous territory of homophobia, sexism, and emotional isolationism. The company seeks to intersect distinctions between races, nationalities, sexual orientations and political affiliations through a series of artistic collisions. The creations are a truly unique hybrid form, where speaking and moving are essential forces in the creation of meaning. Dances often pay homage to great writers and fertile landscapes of words are often used to create a sense of place, time and relationship. Movement is a key to the startling, idiosyncratic and mysterious information that resides in the body.

Ms. King began dancing professionally in 1978 and has been teaching and choreographing since 1986. She directed the dance departments of St. Peter School, St. Mary and Holy Rosary Schools in Jersey City and has taught in Brooklyn at P.S. 315, School of Performing Arts, Poly Prep, Maple Street School, I.S. 62 Performing Arts Department, Flatbush Tompkins, Bridge Street Head Start, and even the Fort Hamilton Army Base. Ms. King has been credited by the Department of Education with developing "one of the most comprehensive dance programs in the district."

Two beautiful salsa studios in Brooklyn, and friendly, inspiring instructors. Enjoy learning to mambo.

"Our mission is to provide a supportive and FUN environment for our students to learn to dance. Whether one wants to dance competitively, just for fun, or at their wedding, we strive to fulfill all desires.
We believe that great dancing begins with knowing and understanding the fundamentals, such as technique, line of dance, knowing the names of the steps, etc. We continuously stress the importance of the basics and work with all students to improve these aspects."

Lotus Music & Dance, a not-for-profit 501(c)(3) organization, was founded in 1989 by master Bharata Natyam dancer Kamala Cesar. It is a performance space, sanctuary, and center of education for traditional and indigenous performing arts forms. The mission is to keep alive and accessible the music and dance traditions of all world cultures. Lotus Music & Dance remains the only institution of its kind in New York City where master artists from India, Korea, Burma, the South Pacific, Middle East, the Mohawk Nation, West Africa, and Spain collectively call home.

Capoeira Angola, an ancient martial art of African origin, is one of the many cultural weapons used to break the chains of enslavement in Brazil. Played close to the ground, Capoeira Angola combines fluid, dance-like movements with kicks, head butts, tripping sweeps and the appearance of playfulness or vulnerability. Music is played on traditional instruments to accompany the players, to teach the rhythmic heart of the art, and also to mask its power. In the eyes of the enslavers it appeared to be a joking and playful acrobatic dance, but eventually its power was realized and Capoeira was outlawed. Death was the penalty paid by those caught playing Capoeira during the slavery era. For almost 400 years Capoeira Angola was taught and practiced in secret, and only in the 1930's did this African martial art become legal to teach and practice.

The directors, Nana and Fred Albee, have operated a successful dance school for over 36 years. As professional dancers, Nana performed with the American Ballet Theatre, then on Broadway in the production of "The Music Man", where she met Fred. Afterwards, they set out as a dance team and performed as soloists at Radio City Music Hall, appeared in Las Vegas and on national TV shows. Fred has assisted choreographer Danny Daniels ("Pennies from Heaven", "Tap Dance Kid") many times and taught the children's program for the "Tap Dance Kid", where one of his students was Savion Glover. Stars they have taught include: Gilda Radner, Olivia Newton John and Marisa Tomei. Marisa was a student of theirs for many years.

The best dance instruction in Manhattan. Learn to dance Salsa, Mambo, Argentine Tango, Swing, Ballroom, Latin and more at New York’s largest Latin and Ballroom studio!
Conveniently located in the heart of Manhattan right next door to the Empire State Building, DanceSport offers you the best dance instruction from the finest instructors.

Muito bem montada por seu idealizador e diretor, Fávio Salles, a Academia do Tap, inaugurada em 12 de março de 1992, o Rio de Janeiro ganhou a única escola especializada em ensino do sapateado norte-americano do Rio de Janeiro.
São diversos níveis de aprendizado: o baby class, a partir de quatro anos, e do básico ao profissional, para crianças, adolescentes e adultos de qualquer idade.

A idéia de inaugurar uma escola, surgiu quando ao final de cada sessão dos espetáculos do Grupo Catsapá, Mabel Tude e Gisela Saldanha, criadoras da instituição, eram procuradas por dezenas de crianças e adolescentes interessadas naquela arte que fundia o sapateado e a dança com o teatro. A Catsapá pretende desenvolver nos alunos o potencial artístico que exige a versatilidade dos espetáculos musicais e contribuir para o desenvolvimento do auto conhecimento, auto estima e socialização do indivíduo através do ensino artístico.

He was born July 3,1950 in the same hospital as Tito Puente; raised by his Puerto Rican parents in Spanish Harlem, a.k.a. El Barrio, New York City. Torres's mother, a hospital worker; his father an inventive plumber, sparked Eddie's knack for inventing. No dancers or musicians in the gene pool to Eddie's best knowledge.

Brooklyn's Finest Salsa" Dance Studio Created back in June of "2002", by Joe Delgado. Now in our 6th Year Anniversary Of Business come visit with us and see first hand one of our classes in action. We offer classes from Beginner, Intermediate & Advanced Level. Anyone can learn to Dance, all you have to do is show up and have a little confidance in yourself we'll do the rest. Are you tired of going to Parties, Night Clubs and Company Functions and just holding up the walls when Salsa is played. Do you want to be that person on the Dance Floor at all those Clubs doing all those Turn Patterns and Fancy Steps. Let the instructors of Brooklyn's Finest Salsa teach you Mambo/ Salsa On2, Learn The Newest Dance Steps & Turn Patterns. It's Alot of Fun and a Great Cardio Workout. http://www.brooklynsfinestsalsa.com

Providing dance training in an inspiring, goal-oriented and supportive atmosphere. Want a variety of dance classes? Ballet, pointe, tap, jazz, lyrical, urban jazz (hip-hop with clean lyrics) and more.
Are you are new to dance? Classes for beginners of all ages including toddlers through to adults. Many students are dancing just for fun but still deserve the very best in training…we’ll aim to please.

A dança foi uma paixão tardia na vida do engenheiro Luiz Carlos de Lima Valença, de 52 anos, que trabalha como facilitador de clima da Gerência de Logística da BR Distribuidora, no Edihb, e é dono de uma academia de dança de salão na Tijuca. “Eu tinha muito prazer em dançar. Quanto mais praticava, mais queria dançar”, conta Luiz Valença. Seus ritmos prediletos são o samba, o bolero, o forró e o soltinho. Passar de aluno a professor foi mais uma vez obra do acaso. As pistas de dança ganharam tamanha importância na vida de Luiz Valença que ele planeja dedicar-se exclusivamente à academia na aposentadoria.

A not-for-profit arts organization that teaches and preserves traditional Chinese performing arts while nurturing innovations for diverse audiences across the United States. Core programs support artists of the highest caliber and provide vital links between communities and across generations. The Center is supported, in part, with public funds from the New York State Council on the Arts and the New York City Department of Cultural Affairs. Major corporate and foundation support is provided by the Asian American Arts Alliance TAO program; Carnegie Corporation; Charles Lawrence Keith and Clara Miller Foundation; Charles B. Wang Foundation; Computer Associates International, Inc.; Independence Community Foundation; JP Morgan Chase Foundation; Citigroup Foundation; Emigrant Savings Bank; Lila Wallace Theater Fund at Community Funds; New York Arts Recovery Fund administered by the New York Foundation for the Arts; New York Community Trust; Phaedrus Foundation; Richmond County Savings Bank and William T. Grant Foundation. Additional support comes from numerous business and individual friends. We also gratefully acknowledge assistance from the World Trade Center Business Recovery Grant Program and the Office of the Manhattan Borough President.

It is the mission of Creative Arts Studio to encourage learning through artistic methods that are individually meaningful to each student. In our second decade of business we continue to hold close to this mission.
2009 brings an eventful year; one filled with difficult and uncertain times. In this economic climate the presence of instability has become weighty and troublesome in our own lives, around the country and throughout world. What better way to close our doors to this stress, to confront difficult times with optimism and awakening. It is the time to open doors to safe, upbeat, enlightening havens in our own homes, schools, and community resources.

Jorday Rivera is a remarkable woman who leads a double life. By day, Jorday is an honorary Pre Med. Graduate student at St. John's University. The head intern for the chief of cardiology at The Parkway Hospital for the past four years. Within the next six months Jorday will attend either NYU or Columbia Medical School. She will study Neonatal and later become a heart surgeon and open her own practice.

When you enter the doors of this 5000 square foot studio, you are taken back by the interior décor. Not expecting a dance studio to look like this, the interior boasts leather walls, fabric cushions, sconces, slate floors, zebra carpet and an array of vivid colors that move everyone to want to dance. The décor alone makes you want to jump. Each dance room is equipped with floating floors - two hard wood and one Mylar : 3000 square foot of pure dance space; two lobbies, four bathrooms, vending machines, an office, 10 foot mirror walls, incredible sound, warehouse style ceilings, lighting and funky brick walls to top off this real live Manhattan style space. L.A. Dance is not just a fun place to learn to dance; it’s the hottest thing in town. It’s the coolest place to be and it’s totally up with the times. The students are proud to call this home.

The umbrella organization that supports the activities of Alvin Ailey American Dance Theater, Ailey II, The Ailey School, Ailey Arts In Education & Community Programs and The Ailey Extension.
AADF's mission is to further the pioneering work of Alvin Ailey by establishing an extended cultural community which provides dance performances, training and community programs for all people. This performing arts community plays a crucial social role using the beauty and humanity of the African American heritage and other cultures to unite people of all races, ages and backgrounds.

Fábio Venturini começou a traçar seu rumo profissional estudando balé clássico e dança contemporânea, fazendo parte da Cia. de Dança Compasso do coreógrafo e bailarino Raimundo Branco, da Cia. Trapiá de Dança e do Balé Popular do Recife. Na década de 80 descobriu a dança de salão. Associando a ela sua experiência nos ritmos de forró e lambada, decidiu investir em si mesmo, aperfeiçoando-se nas técnicas de aprendizagem e ensino de todos os ritmos concernentes à dança de salão. Conheceu, então, Jaime Arôxa, que ficou impressionado com a performance de Venturini e o convidou para vir ao Rio de Janeiro e fazer parte de seu staff de bolsistas. Em 1998, começou a ministrar aulas em uma pequena sala comercial no Leblon. Inaugurou sua própria academia em 11 de setembro de 1999.

Palavras do Mestre Toni Sá: “Em nossa dança de salão não há regras que digam o que é certo ou errado, então, temos que nos basear pelo bom gosto, contudo há uma obrigatoriedade incontestável, o ritmo. Tudo é nada sem ritmo. Por mais e melhores passos que o casal use, com toda elegância e suavidade, se estiverem fora da música estarão errados. Um dito popular que se aplica perfeitamente neste nosso caso é: “tem que se dançar conforme a música”. Não é a orquestra que deve acompanhar o dançarino(a), e sim o contrário.”

Escola de Dança de Salão Maria Antonieta, oferece cursos de dança de salão incluindo bolero, samba de gafieira ,soltinho, tango, salsa, lambada/zouk, entre outros, nos mais diversos horários.Cursos para crianças.
A escola funciona durante toda a semana, sempre à noite nos dias de semana e aos sábados. Aulas com duração de uma hora, duas vezes por semana, segundas e quartas ou terças e quintas de 18:30 às 22:30 h e aos sábados de 18:00 às 19:30.
A Escola conta com a supervisão da mestra Maria Antonietta e, desde janeiro de 2001, está sob a direção de Marcela Ric

Inaugurado em 1982, o Jazz Carlota Portella, é uma das mais conceituadas academias do Rio de Janeiro. Dirigida por Carlota Portella e Thereza Mascotte e contando com uma equipe de professores de alta qualidade, a academia vem desenvolvendo seriamente um trabalho artístico com seus alunos, cujo nível pode ser constatado nos diversos espetáculos realizados pela academia e pelo grupo profissional, a Cia. De Dança Carlota Portella – Vacilou Dançou. Trabalhando com os mais diversos estilos de dança, o Jazz Carlota Portella tem contribuido na formação artística de diversas pessoas e também na formação de profissionais da dança.

A Academia de Dança Jimmy de Oliveira dispõe de generoso espaço com aproximadamente 200 m2 e está localizado à Rua do Catete, 112 - sobrado, ao lado do metrô. O ensino enfatiza o desenvolvimento da coordenação motora equilíbrio, flexibilidade, musicalidade, socialização e logicamente a arte de dançar.
O aprendizado pode ser iniciado pelos passos básicos, dependendo da desenvoltura do aluno e, gradativamente as exigências técnicas irão aumentando com o natural aperfeiçoamento de cada um (a). O Estúdio conta com ar condicionado, mesas e serviço de bar.