The Century House Historical Society is a not-for-profit educational organization dedicated to the industrial history of the Rosendale natural cement region.
The Society is located at the Snyder Estate in New York's historic Hudson Valley.
The Snyder Estate Natural Cement Historic District is listed on the National Register of Historic Places.
The Society is chartered by the New York State Education Department.

Amherst Museum (a Department of the Town of Amherst, NY) is an educational institution whose mission is to engage a diverse audience in the exploration of history and its influence on present-day life in the Niagara Frontier, with emphasis on the Town of Amherst. We achieve our mission through historical research and interpretation, preservation and management of our collections and historic buildings, and creative activities and events.

The Dumbarton Oaks Research Library and Collection is an international center for scholarship, providing resources for study and publishing scholarly works in Byzantine, Pre-Columbian, and Garden and Landscape Studies. Begun as a private collection by Mildred and Robert Woods Bliss in 1920, and given to Harvard University in 1940, the library and collections include art objects, artifacts, manuscripts, and rare books. The house and collections are currently undergoing renovations and are closed, but the garden remains open to the public.

Insectropolis is a fun and unique insect learning center that dazzles visitors of all ages. There is plenty to see and do here! Set within the architecture of a bug-themed city, our creative displays entertain guests as they learn about these fascinating creatures.

The mission of the International Spy Museum is to educate the public about espionage in an engaging manner and to provide a dynamic context that fosters understanding of its important role in and impact on current and historic events. The Museum focuses on human intelligence and reveals the role spies have played in world events throughout history.

The Trenton City Museum is at Ellarslie Mansion in Cadwalader Park. Ellarslie Mansion, one of five historic sites and one of three museums owned by the City of Trenton, is maintained and operated by the Department of Recreation, Natural Resources & Culture, Division of Culture with additional support from the Trenton Museum Society.

The mission of The Whitehall Committee of The National Society of The Colonial Dames of America in the State of Rhode Island and Providence Plantations is to preserve, protect, interpret and keep as a perpetual memorial, Whitehall, the home of Bishop George Berkeley from 1729-1731.

Coggeshall Farm Museum is a living history farm set on 48 acres in Bristol, Rhode Island. The museum depicts Bristol's agrarian life in the year 1799 through live interpretation, historic structures, and heirloom plants and animals.

From July 1918 to January 1996, the Varnum Armory in East Greenwich, RI, housed units from the Rhode Island State and National Guard. Built in 1913 and completed in 1914, the Varnum Continentals had the Armory built in the Medieval architectural style. The building is on the National Register of Historic Places and contains an extensive Military & Naval Museum.

In 1895, the New Jersey State Legislature formally established the New Jersey State Museum in the capital city of Trenton with a mission to collect and exhibit specimens in natural history, archaeology, and industrial history. The State Museum was initially accredited by the American Association of Museums in 1974. Since 1983 it has been a division of the New Jersey Department of State.

The American Helicopter Museum and Education Center is the nation's premier aviation museum devoted exclusively to helicopters. We collect, restore and display historic aircraft and chronicle the origin and development of rotary wing aircraft. Each year the Museum hosts thousands of visitors, school groups, families and senior citizens. Tourists of all ages from the U.S and abroad come here to witness the history and the future of the helicopter.

The Pocono Indian Museum is the only museum in Northeastern Pennsylvania dedicated to showing the history of the Delaware Indian. The museum will both inform and, perhaps, shock you. It will show the North American history of man in Northeastern Pennsylvania from 10,500 B.C. to the contact period with European man prior to the American Revolution. It will show the Delaware Indian's peaceful coexistence with other Indians. And, it will show you the shocking and short 100 years it took the white man to virtually eliminate almost all traces of the Indian's existence.
The Pocono Indian Museum traces the history of the Delawares through displays of ancient artifacts, weapons, and tools that form chronological commentary on life among the Indians for thousands of years.

The mission of the Bennington Museum is to celebrate the history and heritage of the southern Vermont region, as well as serve as a venue for visual and performing arts that enrich our community and our world. Incorporated in 1852 as the Bennington Historical Association, the Bennington Museum is one of only a few accredited museums in the state of Vermont. The Association was founded to commemorate the pivotal 1777 Revolutionary War battle fought near the town. Following the dedication of the 306-foot-tall Bennington Battle Monument in 1891, the Association turned its attention to a more comprehensive preservation of history, art and material culture in southern Vermont and nearby areas.
After years of searching for a permanent home, the Association in 1923 acquired the beautiful, native stone structure that had served as the first St Francis De Sales Catholic Church from 1855 to 1892. Following some functional renovations, the museum opened to the public in 1928 as the Bennington Historical Museum.

Designed by architect Benjamin Henry Latrobe in 1818 for America's greatest 19th century naval hero, Decatur House was occupied by many of our nation's most important political leaders. As witness to the exciting events of the 19th and early 20th century, Decatur House has a unique and fascinating story to tell.

The Baltimore Tattoo Museum hopes that what you see at the museum will inspire you to come check out the history of electric tattooing, and if you dare, get a tattoo yourself!

The mission of the Peabody Museum is to serve Yale University by advancing our understanding of earth’s history through geological, biological, and anthropological research, and by communicating the results of this research to the widest possible audience through publication, exhibition, and educational programs.
Fundamental to this mission is stewardship of the Museum’s rich collections, which provide a remarkable record of the history of the earth, its life, and its cultures. Conservation, augmentation and use of these collections become increasingly urgent as modern threats to the diversity of life and culture continue to intensify.

"We’re more than just the first public art institution in the United States. We were the first museum in America to begin collecting contemporary American art – resulting in our world renowned Hudson River School collection. We staged the first retrospective of Pablo Picasso in America; we were the first museum to both exhibit and purchase works by Surrealist artists – today almost every exhibition about Surrealism includes works borrowed from our collection. We were the first art museum to also have a theater – and we were the first to show Gertrude Stein’s Four Saints & 3 Acts – which we also produced."

The USS Constitution Museum serves as the memory and educational voice of USS Constitution, by collecting, preserving, and interpreting the stories of "Old Ironsides" and the people associated with her. We seek to create a positive, memorable experience for both children and adults by inspiring within them a love for the freedom that Constitution symbolizes. We will share Constitution's contributions with a global audience, and we will strive to be the best museum possible based on scholarship and innovative ways of sharing Constitution's stories.

The Mütter Museum was founded to educate future doctors about anatomy and human medical anomalies. Today, it serves as a valuable resource for educating and enlightening the public about our medical past and telling important stories about what it means to be human. The Mütter Museum embodies The College of Physicians of Philadelphia 's mission to advance the cause of health, and uphold the ideals and heritage of medicine.

It might seem that an institution like a museum is carved in stone, but since its founding in 1912, the Delaware Art Museum has actually changed a great deal. Our Centennial Timeline, installed in the Museum’s Orientation Hallway, is a look at how things were and how they have changed, both here at the Museum and in the community that we serve. To put the Museum’s historical achievements in context, the Timeline mirrors notable Museum milestones with important local and world events.
A century ago, the Museum started life with an original purchase of approximately 100 Howard Pyle paintings. That collection has grown to include 12,000 works of art by great American masters such as Winslow Homer, artists of the Pre-Raphaelite Brotherhood, and well-known American illustrators. The Museum’s name and physical space have also changed considerably. Originally called the Wilmington Society of the Fine Arts, and then the Delaware Art Center, the Museum officially became the Delaware Art Museum in the early 1970s. And although we spent decades traveling around—with no permanent gallery space—the Museum now encompasses 80,000 square feet of exhibition and administrative space, four studio art classrooms, and a sprawling 9-acre sculpture park—the first of its kind in the region.

The National Great Blacks In Wax Museum is among the nations most dynamic cultural and educational institutions. Because it is a wax museum committed solely to the study and preservation of African American history, it is also among the most unique. Primarily, the presentation of life-size, life-like wax figures highlighting historical and contemporary personalities of African ancestry defines its uniqueness.

The Virginia Museum of Natural History’s innovative Science, Technology, Engineering, and Mathematics (STEM) education programs reach students, teachers, and the general public statewide and throughout the region. From "at-the-museum" programs to outreach education programs that bring the museum to locations across the Commonwealth, the museum's education programs are correlated directly to the Virginia Standards of Learning and the North Carolina Standard Course of Study. VMNH educators are leaders in the field of informal science education throughout the state, providing a vital link between the museum's important research and collections programs and all citizens of Virginia and beyond.

The Wright Museum consists of three distinct sections: a home front gallery and theater, a two-story Visitor's Center, and the museum's military wing, which houses exhibits devoted to all branches of the armed services. Among the highlights of the museum's military exhibition is a large collection of fully-operational vintage military vehicles, including a 42-ton Pershing tank - the only known surviving example from the 1945 crossing at Remagen Bridge.
Twice a year, we make this collection available for rides for the general public. 2012 will mark the 15th year that the Wright Museum will host its annual Family Day event. The cost of admission includes two vehicle rides, a BBQ lunch, and much more.

Mission: To be the premier experience and best resource for information and inspiration about the lives of African American Marylanders. The museum seeks to realize its mission by collecting, preserving, interpreting, documenting and exhibiting the rich contributions of African American Marylanders from the state’s earliest history to the present and the future.

For the child who believes milk comes from the grocery store instead of a cow, for the woman who remembers using a cornsheller on her grandmother's farm, the family who takes twentieth century technological advances and the farmer for granted, the Delaware Agricultural Museum and Village offers a memorable and educational experience. By preserving the quickly fading agricultural heritage of Delaware and the Delmarva Peninsula, the Museum stands as an important legacy for future generations.

The Delaware History Center dominates the 500 block of Market Street Mall in downtown Wilmington and is composed of the Delaware History Museum, Old Town Hall, Willingtown Square, and Society's research library. Ample public parking is available at 4th and King Streets, 7th and King Streets, 6th and Shipley Streets, and at street meters.
The Delaware History Center is just a few blocks from the Tubman-Garrett Riverfront Park, the First USA Riverfront Arts Center, and the Wilmington train station.

The mission of the Drug Enforcement Administration (DEA) Museum and Visitors Center is to educate the American public on the history of drugs, drug addiction and drug law enforcement in the United States through engaging and state-of-the-art exhibits, displays, interactive stations and educational outreach programs.

The Virginia Museum of Fine Arts houses a remarkable permanent collection of more than twenty-two thousand works of art from almost every major world culture. Especially noteworthy are the museum’s collections of Art Nouveau, Art Deco, and Modern and Contemporary American art donated by Sydney and Frances Lewis; French Impressionist and Post-Impressionist art and British sporting art given by Mr. and Mrs. Paul Mellon; American art acquired through the J. Harwood and Louise B. Cochrane Fund; The Lillian Thomas Pratt Collection of Fabergé jeweled objects; and The Jerome and Rita Gans Collection of English Silver. The museum’s holdings of South Asian, Himalayan, and African art are among the finest in the nation.

The Submarine Force Museum, located on the Thames River in Groton, Connecticut, maintains the world's finest collection of submarine artifacts. It is the only submarine museum operated by the United States Navy, and as such is the primary repository for artifacts, documents and photographs relating to U.S. Submarine Force history. The museum traces the development of the "Silent Service" from David Bushnell's Turtle, used in the Revolutionary War, to the Ohio and Virginia class submarines.
The museum's collections include more than 33,000 artifacts, 20,000 significant documents and 30,000 photographs. With so many holdings, the displays change frequently and a return visit will be a new experience. The 6,000 volume reference and research library is a world-renowned collection relative to the history of U.S. submarines and is open to anyone looking for information on submarines or submarine history.