The Gilles-Villeneuve Museum opened its doors to the public in 1988. On the initiative of members of the Berthier-Villeneuve comity regrouping volunteers and friends who knew Gilles Villeneuve, the museum followed the inauguration of Gilles-Villeneuve’s park and statue ( a real size bronze ). Berthierville will never forget the champion who put it on the map.
Since it’s foundation, the team of the museum is very active to perpetuate the souvenir of Gilles Villeneuve throughout years and generations. Through activities like golf tournaments, banquets, membership campaigns, etc..., and other actives related to racing ( karting and Auto Shows) the staff and volunteers of the museum never stop the efforts so that the legend of the little guy from Berthierville will be told for many many years ...

Located in the Old Pathology Building on the grounds of the former Central State Hospital on the near westside of Indianapolis. The museum represents the beginning of scientific psychiatry and modern medicine while the building itself is the oldest surviving pathology facility in the nation and is on the National Register of Historic Places.
The museum maintains a collection of scientific artifacts from the nineteenth and twentieth centuries in a completely authentic setting. Constructed in 1895 and inaugurated in 1896, the nineteen-room Pathological Department Building, as it was then called, is equipped with three clinical laboratories, a photography lab, teaching amphitheatre, autopsy room, and library.

The Ackland Art Museum was founded through the bequest of William Hayes Ackland (1855-1940) to the University of North Carolina at Chapel Hill. The Ackland Trust provided the funds to construct the museum building, and that trust continues to provide for the purchase of works of art.

The Weitzel Gallery showcases canadian artist Al Nelson Weitzel's unique creations of wildlife, horse and western art.

The mission of the Musée des maîtres et artisans du Québec is to promote Quebec's cultural heritage, including the traditional arts and crafts of yesterday, and those of today, among local, regional and national collectivities.
Its artistic objectives are to increase awareness of traditional craft and artisanal practices, as well as contemporary craft and contemporary art. Also, the Museum accords a large place to the artistic and artisanal expression of the different cultural communities that enrich its local population and reflect the image of Canada today.

From the first run in 1873 to the present. Learn about the inventor, technologies, builders, rapid expansion, near loss and the ongoing efforts to save and rebuild the cable cars of San Francisco.
Houses a collection of historic cable cars, photographs, mechanical displays and gift shop run by the Friends of the Cable Car Museum - a nonprofit organization dedicated to the preservation of cable car history.

Liberty Science Center is the most visited museum in New Jersey and one of the most intensively used in the country. Since opening in 1993, we have introduced nearly nine million people to the wonder and awe of hands-on science discovery. Our distinctive experiences engage, educate and inspire and we support economic growth in the region by connecting with businesses, working with planning authorities, and helping to prepare the workforce that industry needs

The Corcoran Gallery of Art stands as a major center of American art, both historic and contemporary. Founded “for the purpose of encouraging American Genius,” the Corcoran’s extensive collection of 18th, 19th, and 20th century American art represents most significant American artists. The Corcoran possesses a fine collection of European art as well. While continuing its efforts to represent historic American works, the gallery also encourages modern European and American artists by showing and purchasing their work, paying particular attention to artists in the Washington area.

The Rice Museum, known locally as The Town Clock, is located in the Old Market Building and is a prominent symbol of Georgetown County. Through dioramas, maps, artifacts and other exhibits, visitors to the Museum are enlightened to the history of a society dependent on the rice crop. In 1750, George Town became the center of rice production in the colony. By 1840, the Georgetown District (later County) produced nearly one-half of the total rice crop of the United States. The 1850s proved to be the most profitable decade for the rice planters. The Rice Museum chronicles this most important American timeline and its impact on not only South Carolina, but internationally as well.

The Museum of Discovery is AAM Accredited, a Smithsonian Affiliate, the hub for the Arkansas Discovery Network---an initiative of the Donald W. Reynolds Foundation. In addition, the Museum of Discovery is a proud member of American Association of Museums, the Association of Science and Technology Centers and Association of Children’s Museums.

The mission of the ToonSeum is to celebrate the art of cartooning. Our goal is to promote a deeper appreciation of the cartoonists and their work through hands-on workshops, community outreach, cartoon-oriented educational programming, and exhibitions of original cartoon art.

In today’s society, it is very hard not to see the influence of Chinese culture and how it has shaped everything from medicine to our economy. The China Institute in Manhattan gives a deeper understanding of China through their programs in education, culture, business and art, and gives a strengthening of the global community by enhancing the knowledge of East and West. Inside the building, visitors will find more than your traditional artwork and instead find an education hub dedicated to all forms of communication and education supporting the understanding of China. While there, one has the opportunity to explore performing arts programs, lecture series, short courses, symposia, film screenings and workshops all revolving around China. Spring 2012 has a special focus on Chinese architecture and features a book signing for the novel “Chinese Architecture and the Beaux-Arts.” This event includes an in-depth lecture on this fascinating subject and is to be used as a catalyst to better understanding the development of Chinese architecture. The China Institute is one of New York’s best and only links to our neighbor to the east and should be a destination of anyone looking to expand their minds and better their understanding of the Chinese people.

One of the most overlooked eras of art is the European 19th to early 20th century works of such artists as Alma-Tadema, Barye, Leighton, Merson, Navez, Picou, Troyon, and Vernet. The Dahesh Museum of Art was opened with the sole principle of bringing these incredible pieces of art to life. The genesis esperienced at this Manhattan museum expands knowledge and impacts the world with these forgotten treasures. Within its cozy and small interior lie several exhibitions that showcase these artists and promote the vision on which the museum was founded. As the museum is more geared towards the education on this lost period of art, patrons are able to enjoy in-depth analysis of the work as presented by the museum curators. In Spring and Summer 2012, the museum has continued to acquire new and unique pieces with special focus being drawn to a variety of oil on canvas works which are sure to open eyes and enchant minds to all who visit. The Dahesh Museum of Art is more than just another theater district tourist attraction; it is an added value experience of a lost era that Manhattan is proud to call its own.

Welcome on the official Web site of the Museum of International Naive Art in Magog (Musée international d'art naïf de Magog).
The only Canadian Museum fully dedicated to Naive Art.

he Lucan Area Heritage Association operates a museum dedicated to the preservation and retelling of the most famous historical events of the area. Events such as Lucan being the first black settlement in Canada known as Wilberforce, continued development of the Irish settlers and the infamous Donnelly massacre are key chapters in Canadian history and a vital part of Canada's future.

It is one of the foremost cultural institutions in the world. The museum was founded in 1886; the archives in 1894. In 2003 these two organizations integrated to become British Columbia's combined provincial museum and archives, collecting artifacts, documents and specimens of BC's natural and human history, safeguarding them for the future, and sharing them with the world.
Each exhibit and gallery tells important stories about British Columbia and provides an engaging and thought-provoking window on the province's past, present and future.

The Gardiner Museum offers an intimate look at one of the world’s oldest and most universal forms of art and material culture—ceramics. Complemented by special exhibitions, the collection exceeds 3,000 historical and contemporary pieces and spans continents and time, giving you an extraordinary glimpse into the development of the ceramic process, decoration and shape.
Located across from the Royal Ontario Museum in Toronto’s charming Yorkville district, the Gardiner has undergone a major expansion of its gallery and studio spaces. It remains one of the city’s finest examples of modernist architecture.

The Canadian Clock Museum opened to the public in Deep River, Ontario in late May of 2000 as Canada's only clock museum. This non-profit, private museum operates as a federal corporation dedicated to preserving and promoting the products and history of Canada's many clock manufacturers and sellers from the early 1800s to current times.
A major collection focus is on clocks made by The Arthur Pequegnat Clock Company (Berlin/Kitchener, Ontario, ca. 1904-1941), Westclox Canada (Peterborough, Ontario, ca. 1920-mid 1980s), and Harry Snider's two companies (Toronto, 1950-1876).

The mission of the Creative Kids Museum is “to provide a space for children and their families to have fun in an exciting environment where hands-on discovery enhances creativity and learning.”

The Ontario Archaeological Society is a registered charitable organization that promotes the ethical practice of archaeology.
Ontario's historic and prehistoric resources are continually being destroyed by urban, commercial and industrial development.

The Museum is housed in the former Canadian National Railway station in Komoka, Ontario. When purchased as a museum in 1978, the building was moved to its present site north of the CNR tracks and adjacent to the Komoka Community Centre.
Many railroad items are available for close examination including telegraph keys, spike hammers, spike pullers, switch lanterns, steam gauges, a railroad safe, a baggage sleigh and a three-wheel velocipede.

"Two different accounts of the history of coal mining in County Durham are presented.
The first comes from The Victoria History of the Counties of England - Durham, published in three volumes in 1907. It contains a large section on the history of coal mining in the county. This work focuses on the detailed history and does not cover the social or practical side of the industry. We have reproduced the text up to the start of the nineteenth century.
The second comes from The History, Topography, and Directory of the County Palatine of Durham by Francis Whellan, second edition, published in 1894. Once again there is a large section of the history of coal mining in the county, however, it concentrates on the nineteenth century, but the major part covers the practical and the social side of mining during the nineteenth century.
The two works complement each other, and together present an overall history of the coal industry in County Durham. The history is nor complete without coverage of the twentieth century and the eventual demise of the industry - this topic is too large and complex to cover here and is best left to the many books on the subject. We do however, provide some information for the twentieth century in the individual pages on each colliery."

The old town quarter is characterized by its colonial age buildings. As most of the towns in Greenland, Sisimiut has been spared of large fires. Consequently, a great deal of the colony administration buildings has been preserved. The greater part of these buildings belongs to Sisimiut Museum...

Museet blev startet i midten af 1960`erne som det første museum i Grønland. Samlingerne er siden udvidet gennem indsamling, fra udgravninger og med tilbageført materiale fra Danmarks Nationalmuseum. Museet har landsdækkende arbejdsopgaver indenfor arkæologi, nyere tids historie, kunst og kunsthåndværk. Museet rummer de centrale registre om fredede bygninger og fortidsminder og varetager fredningslovens bestemmelser om fredning af fortidsminder og bygninger samt deltager i naturfredning og byplanlægning.