The Noble Maritime Museum is a tribute to maritime culture and displays the people and traditions of the working waterfront in its educational exhibitions. Before even entering into the museum, patrons are greeted by a beautiful array of sun and light overlooking the harbor. This is significant because the museum was built around the houseboat home of John A. Noble, the famous maritime artist and recorder of the past. The Noble Maritime Museum plays host to much of his life’s work in documenting the end of the Age of Sail. It is a beautiful example of the history of Maritime events. Several of the exhibitions include the oil paintings of John A. Noble with special focus on ship models and crew presentations, a look at merchant ships and their effect on New York trade, and a Spring 2012 opening of a Titanic exhibit. Also featured at the museum is the history of Sailors' Snug Harbor, the famous retirement home and the oldest charitable institution in America. This New York City museum is a significant part of Staten Island museums and culture, and continues to bring New Yorkers in to visit a storied part of America’s past.

Founded in 1939 with one open trolley car, No. 31 from the Biddeford & Saco Railroad Company. Over the years thousands of members have followed the founding fathers by helping the Museum grow to be the premier electric railway museum in the world. Today, our collection contains over 250 transit vehicles, most of them trolleys, from all over the United States, Canada, and many other countries. We are the oldest, and largest electric railway museum in the world.
The mission of the Museum is to present a living history of public transportation relevant to North American life through community-related educational programs. The Museum shall collect, restore, preserve, exhibit and demonstrate the operation of significant transit vehicles with emphasis upon traditional streetcar and interurban service, including rapid transit, trackless trolley and bus service with select world wide comparative representation. The Museum shall provide a repository for artifacts and information of an educational and historic nature relating to the origin and development of the transit industry and its contribution to modern society.

Home of the Miotte Foundation, is committed to an exploration of “art within a context.” This approach favors a program of exhibitions which reflect contemporary human experience across a broad spectrum of cultural, social, environmental and geographical contexts. CAM’s exhibitions, each supported by a rich series of related cultural events and educational programs, seek to support in both its artists and audiences a sense of creativity, community and cultural exchange.

National Museum of Women in the Arts, the only museum in the world dedicated exclusively to recognizing the contributions of women artists.

The mission of the Bennington Museum is to celebrate the history and heritage of the southern Vermont region, as well as serve as a venue for visual and performing arts that enrich our community and our world. Incorporated in 1852 as the Bennington Historical Association, the Bennington Museum is one of only a few accredited museums in the state of Vermont. The Association was founded to commemorate the pivotal 1777 Revolutionary War battle fought near the town. Following the dedication of the 306-foot-tall Bennington Battle Monument in 1891, the Association turned its attention to a more comprehensive preservation of history, art and material culture in southern Vermont and nearby areas.
After years of searching for a permanent home, the Association in 1923 acquired the beautiful, native stone structure that had served as the first St Francis De Sales Catholic Church from 1855 to 1892. Following some functional renovations, the museum opened to the public in 1928 as the Bennington Historical Museum.

In addition to the basic mission of acquiring, preserving and exhibiting its collections, the Museum seeks to foster an appreciation for and understanding of the visual arts. In the spirit of this endeavor, the Museum supports the educational role of the University by presenting exhibitions and programs that are relevant to its entire curriculum and offers a welcoming cultural and educational resource to both campus and regional communities.

Created by an act of Congress in 1980, the National Building Museum is America's premier cultural institution dedicated to exploring and celebrating architecture, design, engineering, construction, and urban planning.

The mission of the International Spy Museum is to educate the public about espionage in an engaging manner and to provide a dynamic context that fosters understanding of its important role in and impact on current and historic events. The Museum focuses on human intelligence and reveals the role spies have played in world events throughout history.

Founded in 1824 in Philadelphia, The Historical Society of Pennsylvania is one of the oldest historical societies in the United States and holds many national treasures. The Society's building, listed on the City of Philadelphia's Register of Historical Places, houses some 600,000 printed items and over 19 million manuscript and graphic items. The Society is one of the largest family history libraries in the nation, has preeminent printed collections on Pennsylvania and regional history, and offers superb manuscript collections renowned for their strength in 17th-, 18th-, and 19th-century history. With the addition of the holdings of The Balch Institute for Ethnic Studies in 2002, the Society has become a chief center for the documentation and study of the ethnic communities and immigrant experiences shared by people whose American history began more recently-between the late nineteenth century and our own times. Together these holdings, old and new, make the Society one of the nation's most important special collections libraries-a center of historical documentation and study, education, and engagement.

Northlandz is a 16 acre world class attraction developed by Bruce and his wife Jean. Included in this complex is a doll museum, La Peep Doll House, a 2,000 pipe theater pipe organ (which Bruce plays) and art galleries throughout. The building is reflective of the couples lifelong commitment to art, expression, and creativity.

The American Swedish Historical Museum in South Philadelphia is the oldest Swedish Museum in the United States. Founded in 1926, the Museum has been dedicated to preserving and promoting Swedish and Swedish-American cultural heritage and traditions for nearly 80 years. The Museum is a place where Swedes, Swedish-Americans, and people of all nationalities who appreciate Swedish contributions to history, art, architecture, music, science and technology can come together.

The Museum of Art, Rhode Island School of Design, also known as the RISD Museum, is Rhode Island’s leading museum of fine and decorative art, housing a collection of 84,000 objects of international significance. It is southeastern New England’s only comprehensive art museum and is accredited by the American Association of Museums. The RISD Museum strives to be a vital cultural resource by educating and inspiring a wide variety of audiences: families and individuals, scholars and researchers, artists and designers, and students of all ages. The Museum maintains an active program of exhibitions, lectures, tours, workshops and publications dedicated to the interpretation of art and design from diverse cultures ranging from ancient times to the present.

The Virginia Museum of Fine Arts houses a remarkable permanent collection of more than twenty-two thousand works of art from almost every major world culture. Especially noteworthy are the museum’s collections of Art Nouveau, Art Deco, and Modern and Contemporary American art donated by Sydney and Frances Lewis; French Impressionist and Post-Impressionist art and British sporting art given by Mr. and Mrs. Paul Mellon; American art acquired through the J. Harwood and Louise B. Cochrane Fund; The Lillian Thomas Pratt Collection of Fabergé jeweled objects; and The Jerome and Rita Gans Collection of English Silver. The museum’s holdings of South Asian, Himalayan, and African art are among the finest in the nation.

The USS Constitution Museum serves as the memory and educational voice of USS Constitution, by collecting, preserving, and interpreting the stories of "Old Ironsides" and the people associated with her. We seek to create a positive, memorable experience for both children and adults by inspiring within them a love for the freedom that Constitution symbolizes. We will share Constitution's contributions with a global audience, and we will strive to be the best museum possible based on scholarship and innovative ways of sharing Constitution's stories.

Insectropolis is a fun and unique insect learning center that dazzles visitors of all ages. There is plenty to see and do here! Set within the architecture of a bug-themed city, our creative displays entertain guests as they learn about these fascinating creatures.

The Red Mill Museum Village is the setting for over 200 years of history. Within the walls of a dozen buildings, contained in the wood and cloth of 40,000 objects are the stories of the growth of a community. The museum offers changing exhibits, lectures, concerts and special events that provide visitors with an ongoing conversation with the past. The museum welcomes visitors during its open season, April to October, Tuesday through Sunday.

Sunday, October 16, 1859, Brown, accompanied by about 20 men, all fully armed, crossed the Potomac into Virginia (now West Virginia) at Harper's Ferry. They overpowered the watchmen at the following locations: the Baltimore & Ohio railroad bridge, the United States armory and arsenal, and the rifle factory above the town on the Shenandoah. They placed guards at those points and at the street corners of the town. Brown established himself in the thick-walled brick building at the armory gate, one room of which was the quarters of the watchman and the other contained a fire-engine. He then sent six men, to seize the principal citizens in the neighborhood and incite those of African decent to rise and join in the insurrection.

Discover Jamestown's most visited landmark with its panoramic views of Narragansett Bay. Located on the southernmost tip of Jamestown, Rhode Island, the Beavertail Lighthouse museum features a collection of information, artifacts, and conversation about the history and site of the third-oldest lighthouse in North America. Come and enjoy New England hospitality as you engage with lighthouse history and with interesting elements of Narragansett Bay’s maritime science, technology, art, and culture.

This mansion was built in 1773 by James Mitchell Varnum, a lawyer who entered the Revolutionary War and served as one of General George Washington's Continental Army Brigadier Generals. Varnum was later Major General in command of the entire Rhode Island Militia. The museum is furnished with period furniture and features many historic artifacts.

Imagine a museum dedicated to the region and nation's rich glass heritage. A place where examples of thousands of products can be viewed and compared and where the stories of people and processes come to life! The MAGWV provides this and much, much more.

For the child who believes milk comes from the grocery store instead of a cow, for the woman who remembers using a cornsheller on her grandmother's farm, the family who takes twentieth century technological advances and the farmer for granted, the Delaware Agricultural Museum and Village offers a memorable and educational experience. By preserving the quickly fading agricultural heritage of Delaware and the Delmarva Peninsula, the Museum stands as an important legacy for future generations.

The Delaware History Center dominates the 500 block of Market Street Mall in downtown Wilmington and is composed of the Delaware History Museum, Old Town Hall, Willingtown Square, and Society's research library. Ample public parking is available at 4th and King Streets, 7th and King Streets, 6th and Shipley Streets, and at street meters.
The Delaware History Center is just a few blocks from the Tubman-Garrett Riverfront Park, the First USA Riverfront Arts Center, and the Wilmington train station.

Founded in 1983 in Portsmouth, the Children's Museum of New Hampshire relocated to Dover in 2008. It offers a blend of art, science and cultural experiences for families. At the heart of our mission is a commitment to offering access to all children and families by minimizing barriers that prevent fair and meaningful educational and cultural opportunities. Since its inception, the Museum has served over 2 million people from New Hampshire and beyond. The Children's Museum is New Hampshire's most visited educational and cultural institution. In our three years in Dover, the Museum has reached over 280,000 students and families from 110 New Hampshire towns and cities, communities throughout New England, and visitors from all over the world. 50% of our visitors came in free or with reduced admission, and 24% are from underserved audiences.

Geppi’s Entertainment Museum is dedicated to presenting the story of popular culture since the nation’s earliest days in an entertaining and educational fashion so that our guests have the unique opportunity to walk through a timeline that parallels and is entwined with history as a whole.

"We’re more than just the first public art institution in the United States. We were the first museum in America to begin collecting contemporary American art – resulting in our world renowned Hudson River School collection. We staged the first retrospective of Pablo Picasso in America; we were the first museum to both exhibit and purchase works by Surrealist artists – today almost every exhibition about Surrealism includes works borrowed from our collection. We were the first art museum to also have a theater – and we were the first to show Gertrude Stein’s Four Saints & 3 Acts – which we also produced."

The Baltimore Tattoo Museum hopes that what you see at the museum will inspire you to come check out the history of electric tattooing, and if you dare, get a tattoo yourself!

The mission of the Peabody Museum is to serve Yale University by advancing our understanding of earth’s history through geological, biological, and anthropological research, and by communicating the results of this research to the widest possible audience through publication, exhibition, and educational programs.
Fundamental to this mission is stewardship of the Museum’s rich collections, which provide a remarkable record of the history of the earth, its life, and its cultures. Conservation, augmentation and use of these collections become increasingly urgent as modern threats to the diversity of life and culture continue to intensify.

It might seem that an institution like a museum is carved in stone, but since its founding in 1912, the Delaware Art Museum has actually changed a great deal. Our Centennial Timeline, installed in the Museum’s Orientation Hallway, is a look at how things were and how they have changed, both here at the Museum and in the community that we serve. To put the Museum’s historical achievements in context, the Timeline mirrors notable Museum milestones with important local and world events.
A century ago, the Museum started life with an original purchase of approximately 100 Howard Pyle paintings. That collection has grown to include 12,000 works of art by great American masters such as Winslow Homer, artists of the Pre-Raphaelite Brotherhood, and well-known American illustrators. The Museum’s name and physical space have also changed considerably. Originally called the Wilmington Society of the Fine Arts, and then the Delaware Art Center, the Museum officially became the Delaware Art Museum in the early 1970s. And although we spent decades traveling around—with no permanent gallery space—the Museum now encompasses 80,000 square feet of exhibition and administrative space, four studio art classrooms, and a sprawling 9-acre sculpture park—the first of its kind in the region.

The National Great Blacks In Wax Museum is among the nations most dynamic cultural and educational institutions. Because it is a wax museum committed solely to the study and preservation of African American history, it is also among the most unique. Primarily, the presentation of life-size, life-like wax figures highlighting historical and contemporary personalities of African ancestry defines its uniqueness.