There are very few places in the world that showcase an abundance of African influence and culture quite like Harlem. In the midst of Harlem lies the Studio Museum which houses work influenced by the African heritage and sets forth a dynamic exchange of ideas and society for all who visit. Inside this multi-story loft, patrons will find not only African artwork and sculptures, but also a plethora of photographs, writings and film all dedicated to enhancing your awareness about the beauty and rich cultures of the African people. The Studio Museum takes this learning experience a step further by offering a wide variety of education and public programs. Some of these programs include guest lectures, dialogues, performance art pieces and interpretive interactive displays. In Spring 2012, the museum will be continuing its tradition of offering unique exhibitions by featuring “Shift” which is a group of autonomous installations broken down and enhanced for the advanced understanding of African influence. The Studio Museum is a fantastic place to visit while in Harlem for people of all heritages and allows you to better understand the power and depth of the African culture and its integration into America.

The Phillips Collection, opened in 1921, is America’s first museum of modern art. Featuring a renowned permanent collection of nearly 2,500 works by American and European impressionist and modern artists, the Phillips is internationally recognized for both its incomparable art and its intimate atmosphere.

A great place to celebrate your child's birthday party! Toddlers and preschoolers love the interactive, hands-on exhibits, including a real fire truck, a real helicopter, cool fossil/dinosaur cave, play ballet studio, kids' medieval castle, and much, much more. Ask about special party activities, special birthday favors, and fun birthday party themes!

Known for being the first house museum on Staten Island, this New York City museum is rich in history on many levels. Its name lies in honor for the peace conference of 1776, a commemoration. Constructed circa 1680 by Captain Christopher Billopp, this 2 story rubble-stone masonry masterpiece has been restored over the years, as needed for structural integrity. Its steep gable roof gives the essence of the period. By 1934, much work had been completed including the Colonial Rose Garden and planting 13 trees to represent the original colonies. House tours are offered Friday-Sunday at 1 pm. In the midst of a collection of artifacts from the era, it is almost like stepping back to the time when our great country was still forming. The beauty and serenity overpower you while walking the grounds. Spring and summer bring the vivid colors of the trees to life. Why not stop for a minute to quite literally “smell the roses”? When the sun is descending, gaze over to the waterfront to enjoy the unparalleled sunset that exudes tangerine hues amid a backdrop of amber with scattered tones of violet entice you to just stand in awe of the beauty that is happening right before your eyes.

The Textile Museum expands public knowledge and appreciation – locally, nationally and internationally – of the artistic merits and cultural importance of the world’s textiles.

Mission: To be the premier experience and best resource for information and inspiration about the lives of African American Marylanders. The museum seeks to realize its mission by collecting, preserving, interpreting, documenting and exhibiting the rich contributions of African American Marylanders from the state’s earliest history to the present and the future.

The Ocean County Historical Society Museum and Research Center was built in several stages, beginning in 1820. The final phase of construction was the Research Center, completed in 1990. The museum is dedicated to the mission of the Society founders: Telling The Stories of Ocean County.

"We’re more than just the first public art institution in the United States. We were the first museum in America to begin collecting contemporary American art – resulting in our world renowned Hudson River School collection. We staged the first retrospective of Pablo Picasso in America; we were the first museum to both exhibit and purchase works by Surrealist artists – today almost every exhibition about Surrealism includes works borrowed from our collection. We were the first art museum to also have a theater – and we were the first to show Gertrude Stein’s Four Saints & 3 Acts – which we also produced."

The Museum complex, the largest in New Jersey, weaves together 80 galleries of art and science, a mini zoo, planetarium, gift shops, cafe, auditorium, sculpture garden, schoolhouse and the Ballantine House, the restored 1885 mansion that is a National Historic Landmark.

Please Touch Museum, the children’s museum of Philadelphia. Please Touch is designed for families with young children and since 1976, has dedicated itself to enriching the lives of children by creating learning opportunities through play.
Let your child be your guide as they interact with our museum exhibits, take part in museum activities or enjoy one of our interactive theater performances.

The mission of the National Firearms Museum is to develop and manage educational programs that promote appreciation, understanding, and participation in gun collecting, and the preservation of the heritage of firearms through collection, conservation, exhibition and research as part of a nationally recognized museum in America.

The mission of the International Spy Museum is to educate the public about espionage in an engaging manner and to provide a dynamic context that fosters understanding of its important role in and impact on current and historic events. The Museum focuses on human intelligence and reveals the role spies have played in world events throughout history.

The mission of the ToonSeum is to celebrate the art of cartooning. Our goal is to promote a deeper appreciation of the cartoonists and their work through hands-on workshops, community outreach, cartoon-oriented educational programming, and exhibitions of original cartoon art.

The Culinary Arts Museum at Johnson & Wales University is the premier museum devoted to the preservation of the history of the culinary and hospitality industries.

Coggeshall Farm Museum is a living history farm set on 48 acres in Bristol, Rhode Island. The museum depicts Bristol's agrarian life in the year 1799 through live interpretation, historic structures, and heirloom plants and animals.

Here at the JMM, visitors can uncover the roots of Jewish history in our landmark historic sites – the Lloyd Street Synagogue, built in 1845, now the nation’s third oldest surviving synagogue and B’nai Israel Synagogue, built in 1876 and still home to a vibrant congregation. Our Museum Campus includes three exhibition galleries featuring fascinating and diverse exhibitions that explore in depth, the Jewish American experience. The Museum offers a wide range of programs and special events for children, adults, and families as well as a research library and family history center. We invite students of all ages to experience the rich vitality of Jewish culture and heritage on and off-site through our education programs.

The Mütter Museum was founded to educate future doctors about anatomy and human medical anomalies. Today, it serves as a valuable resource for educating and enlightening the public about our medical past and telling important stories about what it means to be human. The Mütter Museum embodies The College of Physicians of Philadelphia 's mission to advance the cause of health, and uphold the ideals and heritage of medicine.

From its founding, the Seabee Museum and Memorial Park has stood on its own, collecting grants from federal, public, and private sectors. The majority of funding received to date has been from the MCB-6 Association, other Seabees, the Rhode Island State Preservation and Historical Society, the Federal HUD Office, and a Federal Grant from the Department of Defense (allowing Seabee Reserves to perform a full summer training program here). While this may sound significant, it’s only a small percentage of the bricks and mortar required to complete this tribute to the "Original Home of the Seabees."

The Baltimore Tattoo Museum hopes that what you see at the museum will inspire you to come check out the history of electric tattooing, and if you dare, get a tattoo yourself!

The mission of the Drug Enforcement Administration (DEA) Museum and Visitors Center is to educate the American public on the history of drugs, drug addiction and drug law enforcement in the United States through engaging and state-of-the-art exhibits, displays, interactive stations and educational outreach programs.

The USS Constitution Museum serves as the memory and educational voice of USS Constitution, by collecting, preserving, and interpreting the stories of "Old Ironsides" and the people associated with her. We seek to create a positive, memorable experience for both children and adults by inspiring within them a love for the freedom that Constitution symbolizes. We will share Constitution's contributions with a global audience, and we will strive to be the best museum possible based on scholarship and innovative ways of sharing Constitution's stories.

The Delaware History Center dominates the 500 block of Market Street Mall in downtown Wilmington and is composed of the Delaware History Museum, Old Town Hall, Willingtown Square, and Society's research library. Ample public parking is available at 4th and King Streets, 7th and King Streets, 6th and Shipley Streets, and at street meters.
The Delaware History Center is just a few blocks from the Tubman-Garrett Riverfront Park, the First USA Riverfront Arts Center, and the Wilmington train station.

The mission of the Bennington Museum is to celebrate the history and heritage of the southern Vermont region, as well as serve as a venue for visual and performing arts that enrich our community and our world. Incorporated in 1852 as the Bennington Historical Association, the Bennington Museum is one of only a few accredited museums in the state of Vermont. The Association was founded to commemorate the pivotal 1777 Revolutionary War battle fought near the town. Following the dedication of the 306-foot-tall Bennington Battle Monument in 1891, the Association turned its attention to a more comprehensive preservation of history, art and material culture in southern Vermont and nearby areas.
After years of searching for a permanent home, the Association in 1923 acquired the beautiful, native stone structure that had served as the first St Francis De Sales Catholic Church from 1855 to 1892. Following some functional renovations, the museum opened to the public in 1928 as the Bennington Historical Museum.

The mission of the Peabody Museum is to serve Yale University by advancing our understanding of earth’s history through geological, biological, and anthropological research, and by communicating the results of this research to the widest possible audience through publication, exhibition, and educational programs.
Fundamental to this mission is stewardship of the Museum’s rich collections, which provide a remarkable record of the history of the earth, its life, and its cultures. Conservation, augmentation and use of these collections become increasingly urgent as modern threats to the diversity of life and culture continue to intensify.

Imagine a museum dedicated to the region and nation's rich glass heritage. A place where examples of thousands of products can be viewed and compared and where the stories of people and processes come to life! The MAGWV provides this and much, much more.

Come experience the only remaining examples of the N&W's legendary success at the Virginia Museum of Transportation: the N&W Class A 1218 and the Class J 611. In our Rail Yard, explore historic steam and diesel engines, cabooses, and other rail equipment as modern trains rumble past. Inside the Museum, enjoy model trains, hands-on exhibits, and stroll among our antique automobiles, and truck and bus exhibits.

It might seem that an institution like a museum is carved in stone, but since its founding in 1912, the Delaware Art Museum has actually changed a great deal. Our Centennial Timeline, installed in the Museum’s Orientation Hallway, is a look at how things were and how they have changed, both here at the Museum and in the community that we serve. To put the Museum’s historical achievements in context, the Timeline mirrors notable Museum milestones with important local and world events.
A century ago, the Museum started life with an original purchase of approximately 100 Howard Pyle paintings. That collection has grown to include 12,000 works of art by great American masters such as Winslow Homer, artists of the Pre-Raphaelite Brotherhood, and well-known American illustrators. The Museum’s name and physical space have also changed considerably. Originally called the Wilmington Society of the Fine Arts, and then the Delaware Art Center, the Museum officially became the Delaware Art Museum in the early 1970s. And although we spent decades traveling around—with no permanent gallery space—the Museum now encompasses 80,000 square feet of exhibition and administrative space, four studio art classrooms, and a sprawling 9-acre sculpture park—the first of its kind in the region.

For the child who believes milk comes from the grocery store instead of a cow, for the woman who remembers using a cornsheller on her grandmother's farm, the family who takes twentieth century technological advances and the farmer for granted, the Delaware Agricultural Museum and Village offers a memorable and educational experience. By preserving the quickly fading agricultural heritage of Delaware and the Delmarva Peninsula, the Museum stands as an important legacy for future generations.

The mission of The Brick Store Museum is to preserve the rich heritage of the Kennebunks for year-round residents, seasonal visitors and future generations through the collection, preservation, interpretation and exhibition of its material culture.
History - William Lord was born at Kennebunk Landing in 1799, the third son of Tobias Lord and Hephzibah Conant Lord. As a merchant and ship owner, Lord became one of Kennebunk’s most important patriarchs and citizens. In 1820 he married Sarah Cleaves of Biddeford, and they lived in what was then the Jonas Clark house at 20 Summer Street. It sits high on the hill and is now known as the William Lord Mansion, a private residence. It was here that Lord and his wife raised their large family of 10 children.