Studio 54

The Broadhurst Theatre is a legitimate Broadway theatre located at 235 West 44th Street in midtown Manhattan. <br> It was designed by architect Herbert J. Krapp, one of the major theatre designers of the early 1900s. Built back-to-back with the Plymouth, it was meant to resemble the style of the neighboring Henry B. Herts-designed Shubert and Booth theaters, using less expensive brick and terra cotta materials on the facades. Like all of Krapp's work during this period, it features minimal ornamentation, a single balcony, wide space, and excellent sightlines. Unlike the Majestic Theatre, which has housed The Phantom of the Opera (musical) since 1988, the Broadhurst does not run parallel to the street, but rather the stage is perpendicular. <a href="http://en.wikipedia.org" target="new">Source</a>

Now playing: Evita.<br/> Opened in 1986, the Marquis Theatre is one of the newest theatres to be built on Broadway. Located inside the Marriott Marquis Hotel, it was designed to provide maximum comfort for audiences and actors while conveying a feeling of intimacy. The venue features expansive backstage, high ceilings, state-of-the-art acoustics, wide aisles, comfortable seats, ample restrooms and parking. <br> Since its opening, the theatre has showcased a series of hit musicals including Me and My Girl, Gypsy, Man of La Mancha, The Goodbye Girl, Damn Yankees, Victor/Victoria, Peter Pan, Annie Get Your Gun and Thoroughly Modern Millie. Before or after seeing The Drowsy Chaperone, theatergoers can dine at one of the fine restaurants located throughout the hotel. <br> The Marquis has 1,611 seats and is one of The Nederlander Organization's nine Broadway theatres.

Climb the steps to experience a beloved character brought vividly to life on stage, drawing from P.I. Travers' imagination and the cherished 1964 Disney film. The production wraps the Sherman brothers' Oscar-winning melodies alongside fresh compositions by George Stiles and Anthony Drewe, with Julian Fellowes crafting the narrative that guides audiences through the Banks household and their extraordinary nanny's arrival. Richard Lyre directs this visual spectacle with Matthew Bourne handling co-direction and choreography, while Bob Crowley transforms the stage with his set and costume creations. The winter months bring a particular magic to the theater's interiors as audiences gather in from the cold, settling in for the pageantry and whimsy that unfolds across the stage. Howard Harrison's lighting design and Stephen Mear's additional choreography complete an ensemble of celebrated theatrical artists who've shaped this production into something genuinely transportive.

Wintertime brings a particular magic to catching this production—there's something about stepping into the theater's warmth to witness a story so deeply rooted in New York's gilded past. Catherine Sloper finds herself pulled in opposite directions, her father's cold disapproval clashing with a suitor's fiery devotion, and she's forced to reckon with what matters most when wealth and belonging hang in the balance. Jessica Chastain, in her Broadway introduction, shares the stage with David Strathairn, Dan Stevens, and two-time Tony winner Judith Ivey, all navigating Ruth and Augustus Goetz's exploration of how fortune shapes the heart. Directed by Tony-nominated Moisés Kaufman, this drama examines the messy intersection of duty and longing through a distinctly New York lens. The run is limited to eighteen weeks, making this the right moment to experience it.

The John Golden Theatre is a legitimate Broadway theatre located at 252 West 45th Street in midtown-Manhattan.<br> Designed in a Moorish style along with the adjacent Royale Theatre by architect Herbert J. Krapp for Irwin Chanin, it opened as the Theater Masque on February 24, 1927 with the play Puppets of Passion. Seventy-six years later it would house another production known for its puppets, the award-winning Avenue Q.<br> In 1937, impresario John Golden acquired the theatre and renamed it for himself. It operated as a movie house in the 1940s and '50s before it was purchased by the Shuberts, who returned it to legitimate use.<br> With a seating capacity of only 800, it is one of the smallest houses on Broadway. <a href="http://en.wikipedia.org" target="new">Source</a>

Where the heart of Times Square pulses with theatrical magic, this sprawling venue transforms into the African plains night after night. Picture yourself settling into one of 1,621 seats as the curtain rises on Disney's adaptation of their beloved 1994 film, complete with Elton John and Tim Rice's Grammy-winning score woven throughout the production. Julie Taymor's visionary direction and design work earned her a Tony, and her imagination practically leaps off the stage—giraffes stride majestically, birds cut through the air, and Pride Rock ascends from the floor as the music swells around you. The story follows young Simba as he grapples with growing up and accepting his place in the circle of life, drawing from African mythology and raw human emotion to create something genuinely fresh for Broadway. When you visit during winter's crisp evenings, there's something particularly enchanting about ducking into this glass-fronted building and escaping into the savanna's warmth and wonder. The modern architecture allows light to pour in from the Great White Way outside, creating an interesting contrast between the bustling city and the wild world unfolding onstage. Six Tony Awards in 1998 recognized it as the year's best new musical, and the production continues to captivate audiences with its blend of elaborate costumes, stunning puppetry, and the kind of theatrical spectacle that doesn't fade with time.

The George Gershwin Theatre is a legitimate Broadway theatre located at 222 West 51st Street in midtown-Manhattan.<br> Designed in an Art Nouveau style by set designer Ralph Alswang, it is situated on the lower levels of a towering office complex built on the side of the historical Capitol Theatre. It opened as the Uris Theatre on November 28, 1972 with the musical Via Galactica starring Raul Julia. It proved to be an inauspicious start for the venue, closing after only seven performances. From 1974-76 it served as a concert hall for limited engagements by a number of legendary pop music and jazz performers. <br> It was the first theatre constructed in New York City since 1928. With a seating capacity of 1933, it presently is the largest theatre on Broadway, with the exception of the New York State Theatre at Lincoln Center and New York City Center.<br> A Theatre Hall of Fame located in the lobby is a popular gathering place for audience members pre-show and during intermission. <a href="http://en.wikipedia.org" target="new">Source</a>

The Ethel Barrymore Theatre is a legitimate Broadway theatre located at 243 West 47th Street in midtown-Manhattan. <br> Designed by architect Herbert J. Krapp and constructed by the Shuberts, it opened on December 20, 1928 with The Kingdom of God, a play selected by leading lady Ethel Barrymore. Over the next dozen years she returned to star in The Love Duel (1929), Scarlett Sister Mary (1930), The School for Scandal (1931), and An International Incident (1940). <br> It is the only surviving theatre of the many the Shuberts built for performers who were affiliated with them. It has been used continuously as a legitimate house, unlike many of the older theatres that have been used for a variety of purposes throughout the years. <a href="http://en.wikipedia.org" target="new">Source</a>

The Bernard B. Jacobs Theatre is a legitimate Broadway theatre located at 242 West 45th Street in midtown-Manhattan.<br> Designed by architect Herbert J. Krapp, it opened as the Royale Theatre on January 11, 1927 with a musical entitled Piggy. John Golden leased and renamed the theatre for himself from 1932 to 1937, when the Shubert Organization assumed ownership and leased the theater to CBS Radio until 1940, when it was restored to its original use and name. On May 9, 2005, it was renamed for longtime Shubert Organization president Bernard B. Jacobs. <a href="http://en.wikipedia.org" target="new">Source</a>

Grammy® Award-winning superstar Barry Manilow returns to the Broadway stage for the first time in more than two decades! Don't miss this unprecedented limited engagement as one of our most beloved entertainers performs songs from his massive catalog of hits in an intimate setting at the St. James Theatre on Broadway. From “Mandy” to "I Write the Songs" to "Copacabana (At The Copa)" and so many more, Manilow’s new Broadway show is destined to be as legendary as the man himself.<br/> The St. James Theatre is located at 246 W. 44th St. Broadway, New York City, New York. It was built by Abraham L. Erlanger, theatrical producer and a founding member of the Theatrical Syndicate, on the site of the original Sardi's restaurant. It opened in 1927 as The Erlanger. Upon Erlanger's death in 1930, control of the venue was taken over by the Astor family, who owned the land on which the theatre stood. The Astors renamed it the St. James Theatre. <br> The theatre was purchased by the Shuberts in the late 1930s. They were forced to sell it to the William L. McKnight in 1957 following the loss of an antitrust case. McKnight renovated the St. James and reopened it in 1958. In 1970, McKnight then transferred the theatre to his daughter Virginia and her husband James H. Binger, who had formed the Jujamcyn Amusement Corporation. <a href="http://en.wikipedia.org" target="new">Source</a>

The Palace Theatre is a legitimate Broadway theatre located at 1564 Broadway in midtown-Manhattan.<br> Designed by architects Kirchoff & Rose, the theatre, built by California vaudeville entrepreneur and Broadway impresario Martin Beck, experienced a number of problems before it opened. E. F. Albee, one of the main executives for B. F. Keith and his powerful vaudeville circuit, demanded that Beck turn over three-quarters of the stock in the theatre in order to use acts from the Keith circuit. In addition, Oscar Hammerstein was the only person who could offer Keith acts in that section of Broadway, so Beck paid him off with $225,000. The theatre finally opened on March 24, 1913 with headliner Ed Wynn. To "play the Palace" meant that an entertainer had reached the pinnacle of his career, and it became a popular venue with performers like Sarah Bernhardt, Eddie Cantor, Bob Hope, Fanny Brice, Sophie Tucker, George Jessel, and Jack Benny. <a href="http://en.wikipedia.org" target="new">Source</a>

Step into a piece of Broadway history at this stunning 1921 theater, where legendary performances from Cyrano de Bergerac to Lena Horne's Tony Award-winning triumph have captivated audiences for over a century. Today, it remains a jewel of Times Square, continuing the Nederlander family's tradition of showcasing world-class theater and entertainment in one of America's most iconic venues.

The Longacre Theatre is a Broadway theatre located at 220 West 48th Street in midtown Manhattan.<br> Designed by architect Henry B. Herts, it was named for Longacre Square, the original name for Times Square. The French neo-classical building was constructed by impresario Harry Frazee, better remembered as the owner of the Boston Red Sox who, needing money for his theatrical ventures, sold Babe Ruth's contract to the New York Yankees. A curse allegedly lingers on the theater as a result, and superstitious producers avoid it for fear they'll be backing a flop, as noted by William Golden in his seminal book The Season. Despite the rumor, a large number of performers who have appeared on stage here have taken home a Tony Award for their efforts.<br> The Longacre's first show was a production of the William Hurlbut-Frances Whitehouse comedy Are You a Crook?, which opened on May 1, 1913. With the exception of its use as a television studio in the mid-1940s to early 1950s, the theatre has operated as a legitimate Broadway venue. <a href="http://en.wikipedia.org" target="new">Source</a>

The Circle in the Square Theatre is a legitimate Broadway theatre located at 235 West 50th Street in midtown Manhattan.<br> Designed by architect Alan Sayles, it is one of two theatres occupying the underground levels of Paramount Plaza, which was constructed as the Uris Building on the site of the famed Capitol Theater movie house. It originally served as the uptown home to the Circle-in-the-Square repertory company founded by Theodore Mann and Jose Quintero in 1961 in Greenwich Village. The first production, a revival of Mourning Becomes Electra, opened on November 15, 1972.<br> The rather small auditorium has a seating capacity of 650. It is one of only two Broadway houses with a thrust stage (the other is Lincoln Center's Vivian Beaumont Theatre).<br> The building also houses the Circle in the Square Theatre School, the only accredited training conservatory associated with a Broadway theatre, which offers a two-year training program in acting. <a href="http://en.wikipedia.org">Source</a>