Eugene O'Neill Theatre

A permanent home has long been a dream for the Roundabout Theatre Company. Since its establishment in 1965, Roundabout had moved from location to location, always searching for the next stop in what seemed to be a never-ending journey for permanency. From West 26th Street to West 23rd Street, from East 17th Street at Union Square then on to the Criterion Center, Roundabout seemed destined to live up to its name far too literally. All that changed in 1997, when The New 42nd Street Development project, backed by the City and State of New York, offered the historic Selwyn Theatre to Roundabout.

The George Gershwin Theatre is a legitimate Broadway theatre located at 222 West 51st Street in midtown-Manhattan.<br> Designed in an Art Nouveau style by set designer Ralph Alswang, it is situated on the lower levels of a towering office complex built on the side of the historical Capitol Theatre. It opened as the Uris Theatre on November 28, 1972 with the musical Via Galactica starring Raul Julia. It proved to be an inauspicious start for the venue, closing after only seven performances. From 1974-76 it served as a concert hall for limited engagements by a number of legendary pop music and jazz performers. <br> It was the first theatre constructed in New York City since 1928. With a seating capacity of 1933, it presently is the largest theatre on Broadway, with the exception of the New York State Theatre at Lincoln Center and New York City Center.<br> A Theatre Hall of Fame located in the lobby is a popular gathering place for audience members pre-show and during intermission. <a href="http://en.wikipedia.org" target="new">Source</a>

The Ambassador Theatre is a legitimate Broadway theatre located at 219 West 49th Street in midtown-Manhattan.<br> Designed by architect Herbert J. Krapp for the Shuberts, the structure is unusual in that it is situated diagonally on its site to fit the maximum number of seats possible. Its external appearance, indistinguishable from many other Broadway houses, does not hint at the strange layout within. The building has been designated a New York City landmark.<br> The theatre opened on February 11, 1921 with the musical The Rose Girl. The Shuberts sold the property in 1935, and for the next two decades it was used as a movie theater and television studio for NBC and the DuMont Television Network. In 1956 the Shuberts assumed ownership again and returned it to strictly legitimate use. <a href="http://en.wikipedia.org" target="new">Source</a>

Yesterday…A place where thousands of young artists have stepped out into the spotlight and launched their careers. A place "where stars are born and legends are made." The legendary Apollo Theater is so much more than an historic landmark - it is a source of pride and a symbol of the brilliance of American artistic achievement. From 1934 when the Apollo first introduced its world-famous Amateur Night which launched the careers of legendary artists like Ella Fitzgerald, James Brown, Michael Jackson, D'Angelo and Lauryn Hill, the Apollo has maintained its position as the nation's most popular arena for emerging and established black and Latino performers.

The Circle in the Square Theatre is a legitimate Broadway theatre located at 235 West 50th Street in midtown Manhattan.<br> Designed by architect Alan Sayles, it is one of two theatres occupying the underground levels of Paramount Plaza, which was constructed as the Uris Building on the site of the famed Capitol Theater movie house. It originally served as the uptown home to the Circle-in-the-Square repertory company founded by Theodore Mann and Jose Quintero in 1961 in Greenwich Village. The first production, a revival of Mourning Becomes Electra, opened on November 15, 1972.<br> The rather small auditorium has a seating capacity of 650. It is one of only two Broadway houses with a thrust stage (the other is Lincoln Center's Vivian Beaumont Theatre).<br> The building also houses the Circle in the Square Theatre School, the only accredited training conservatory associated with a Broadway theatre, which offers a two-year training program in acting. <a href="http://en.wikipedia.org">Source</a>

The Broadhurst Theatre is a legitimate Broadway theatre located at 235 West 44th Street in midtown Manhattan. <br> It was designed by architect Herbert J. Krapp, one of the major theatre designers of the early 1900s. Built back-to-back with the Plymouth, it was meant to resemble the style of the neighboring Henry B. Herts-designed Shubert and Booth theaters, using less expensive brick and terra cotta materials on the facades. Like all of Krapp's work during this period, it features minimal ornamentation, a single balcony, wide space, and excellent sightlines. Unlike the Majestic Theatre, which has housed The Phantom of the Opera (musical) since 1988, the Broadhurst does not run parallel to the street, but rather the stage is perpendicular. <a href="http://en.wikipedia.org" target="new">Source</a>

Now playing: Evita.<br/> Opened in 1986, the Marquis Theatre is one of the newest theatres to be built on Broadway. Located inside the Marriott Marquis Hotel, it was designed to provide maximum comfort for audiences and actors while conveying a feeling of intimacy. The venue features expansive backstage, high ceilings, state-of-the-art acoustics, wide aisles, comfortable seats, ample restrooms and parking. <br> Since its opening, the theatre has showcased a series of hit musicals including Me and My Girl, Gypsy, Man of La Mancha, The Goodbye Girl, Damn Yankees, Victor/Victoria, Peter Pan, Annie Get Your Gun and Thoroughly Modern Millie. Before or after seeing The Drowsy Chaperone, theatergoers can dine at one of the fine restaurants located throughout the hotel. <br> The Marquis has 1,611 seats and is one of The Nederlander Organization's nine Broadway theatres.

Climb the steps to experience a beloved character brought vividly to life on stage, drawing from P.I. Travers' imagination and the cherished 1964 Disney film. The production wraps the Sherman brothers' Oscar-winning melodies alongside fresh compositions by George Stiles and Anthony Drewe, with Julian Fellowes crafting the narrative that guides audiences through the Banks household and their extraordinary nanny's arrival. Richard Lyre directs this visual spectacle with Matthew Bourne handling co-direction and choreography, while Bob Crowley transforms the stage with his set and costume creations. The winter months bring a particular magic to the theater's interiors as audiences gather in from the cold, settling in for the pageantry and whimsy that unfolds across the stage. Howard Harrison's lighting design and Stephen Mear's additional choreography complete an ensemble of celebrated theatrical artists who've shaped this production into something genuinely transportive.

Wintertime brings a particular magic to catching this production—there's something about stepping into the theater's warmth to witness a story so deeply rooted in New York's gilded past. Catherine Sloper finds herself pulled in opposite directions, her father's cold disapproval clashing with a suitor's fiery devotion, and she's forced to reckon with what matters most when wealth and belonging hang in the balance. Jessica Chastain, in her Broadway introduction, shares the stage with David Strathairn, Dan Stevens, and two-time Tony winner Judith Ivey, all navigating Ruth and Augustus Goetz's exploration of how fortune shapes the heart. Directed by Tony-nominated Moisés Kaufman, this drama examines the messy intersection of duty and longing through a distinctly New York lens. The run is limited to eighteen weeks, making this the right moment to experience it.

The John Golden Theatre is a legitimate Broadway theatre located at 252 West 45th Street in midtown-Manhattan.<br> Designed in a Moorish style along with the adjacent Royale Theatre by architect Herbert J. Krapp for Irwin Chanin, it opened as the Theater Masque on February 24, 1927 with the play Puppets of Passion. Seventy-six years later it would house another production known for its puppets, the award-winning Avenue Q.<br> In 1937, impresario John Golden acquired the theatre and renamed it for himself. It operated as a movie house in the 1940s and '50s before it was purchased by the Shuberts, who returned it to legitimate use.<br> With a seating capacity of only 800, it is one of the smallest houses on Broadway. <a href="http://en.wikipedia.org" target="new">Source</a>

Now there are more chances to vote for who murdered Edwin Drood! The delightful and rollicking musical smash where the ending is entirely up to you—back on Broadway for the first time since winning the Tony® “Triple Crown” (Best Musical, Best Book, and Best Score)—has been extended through March 10, 2013.<br/> Stephanie J. Block (Anything Goes), Will Chase (“Smash”), Tony Award® nominee Gregg Edelman (Wonderful Town), Tony winner Jim Norton (The Seafarer), and Tony winner Chita Rivera (Nine) star in The Mystery of Edwin Drood, the delightful musical smash from Tony-winning writer/composer Rupert Holmes (Curtains). Tony nominee Scott Ellis (She Loves Me) directs this show’s first-ever return to Broadway since winning the Tony “Triple Crown” (Best Musical, Best Book, and Best Score)!<br/> Take a trip back in time to a Victorian music hall where a rowdy ensemble of actors mounts a staging of Charles Dickens’ unfinished novel. Everyone on stage is a suspect in the murder of young Edwin Drood, and it’s up to you to choose the killer! Is it John Jasper, Edwin’s protective but slightly maniacal uncle? Rosa Bud, his reluctant betrothed? The debauched Princess Puffer? Each performance ends differently, depending on what the audience decides!<br/> Don’t miss this rollicking play-within-a-musical that The New York Times has called “ingenious.” Come help solve The Mystery of Edwin Drood!

Where the heart of Times Square pulses with theatrical magic, this sprawling venue transforms into the African plains night after night. Picture yourself settling into one of 1,621 seats as the curtain rises on Disney's adaptation of their beloved 1994 film, complete with Elton John and Tim Rice's Grammy-winning score woven throughout the production. Julie Taymor's visionary direction and design work earned her a Tony, and her imagination practically leaps off the stage—giraffes stride majestically, birds cut through the air, and Pride Rock ascends from the floor as the music swells around you. The story follows young Simba as he grapples with growing up and accepting his place in the circle of life, drawing from African mythology and raw human emotion to create something genuinely fresh for Broadway. When you visit during winter's crisp evenings, there's something particularly enchanting about ducking into this glass-fronted building and escaping into the savanna's warmth and wonder. The modern architecture allows light to pour in from the Great White Way outside, creating an interesting contrast between the bustling city and the wild world unfolding onstage. Six Tony Awards in 1998 recognized it as the year's best new musical, and the production continues to captivate audiences with its blend of elaborate costumes, stunning puppetry, and the kind of theatrical spectacle that doesn't fade with time.

The Ethel Barrymore Theatre is a legitimate Broadway theatre located at 243 West 47th Street in midtown-Manhattan. <br> Designed by architect Herbert J. Krapp and constructed by the Shuberts, it opened on December 20, 1928 with The Kingdom of God, a play selected by leading lady Ethel Barrymore. Over the next dozen years she returned to star in The Love Duel (1929), Scarlett Sister Mary (1930), The School for Scandal (1931), and An International Incident (1940). <br> It is the only surviving theatre of the many the Shuberts built for performers who were affiliated with them. It has been used continuously as a legitimate house, unlike many of the older theatres that have been used for a variety of purposes throughout the years. <a href="http://en.wikipedia.org" target="new">Source</a>

The Bernard B. Jacobs Theatre is a legitimate Broadway theatre located at 242 West 45th Street in midtown-Manhattan.<br> Designed by architect Herbert J. Krapp, it opened as the Royale Theatre on January 11, 1927 with a musical entitled Piggy. John Golden leased and renamed the theatre for himself from 1932 to 1937, when the Shubert Organization assumed ownership and leased the theater to CBS Radio until 1940, when it was restored to its original use and name. On May 9, 2005, it was renamed for longtime Shubert Organization president Bernard B. Jacobs. <a href="http://en.wikipedia.org" target="new">Source</a>