Shubert Theatre

The Cort Theatre is a legitimate Broadway theatre located at 138 West 48th Street in midtown-Manhattan. The Shuberts purchased the theatre in 1927.<br> Designed by Thomas W. Lamb, its facade was modeled after the Petit Trianon at Versailles, while architecture from the period of Louis XVI inspired the interior. The building was constructed by and named for former vaudevillean John Cort, general manager of the Northwestern Theatrical Association.<br> It opened on December 20, 1912 with Laurette Taylor starring in the play Peg o' My Heart, which ran for 603 performance, an auspicious start for the new venue. Numerous famous British actors have appeared at the Cort: Basil Rathbone played Dr. Nicholas Agi in The Swan in October 1923, and in April 1927 appeared as Vladimir Dubriski in Love is Like That. In October 1924 Henry Daniell appeared as Aubrey Tanqueray in The Second Mrs Tanqueray, was there again in August 1943 in Murder Without Crime, and in January 1946 appeared as Leontes in The Winter's Tale.<br> The theatre was used as a television studio housing The Merv Griffin Show from 1969-72. <a href="http://en.wikipedia.org" target="new">Source</a>

Rock and Roll Hall of Fame inductees, Lynyrd Skynyrd continues to make music and rock stages. Don't miss this legendary band at The Beacon Theatre on January 15!<br/> The Beacon Theatre is the "older sister" to Radio City Music Hall. Both legendary venues were the "brainchild" of Samuel "Roxy" Rothafel, the great theatrical impresario and visionary of his time.

Grammy® Award-winning superstar Barry Manilow returns to the Broadway stage for the first time in more than two decades! Don't miss this unprecedented limited engagement as one of our most beloved entertainers performs songs from his massive catalog of hits in an intimate setting at the St. James Theatre on Broadway. From “Mandy” to "I Write the Songs" to "Copacabana (At The Copa)" and so many more, Manilow’s new Broadway show is destined to be as legendary as the man himself.<br/> The St. James Theatre is located at 246 W. 44th St. Broadway, New York City, New York. It was built by Abraham L. Erlanger, theatrical producer and a founding member of the Theatrical Syndicate, on the site of the original Sardi's restaurant. It opened in 1927 as The Erlanger. Upon Erlanger's death in 1930, control of the venue was taken over by the Astor family, who owned the land on which the theatre stood. The Astors renamed it the St. James Theatre. <br> The theatre was purchased by the Shuberts in the late 1930s. They were forced to sell it to the William L. McKnight in 1957 following the loss of an antitrust case. McKnight renovated the St. James and reopened it in 1958. In 1970, McKnight then transferred the theatre to his daughter Virginia and her husband James H. Binger, who had formed the Jujamcyn Amusement Corporation. <a href="http://en.wikipedia.org" target="new">Source</a>

Step into Harlem's most iconic stage and experience the birthplace of American entertainment. This legendary theater has been launching careers and captivating audiences since 1934, hosting everyone from Ella Fitzgerald to James Brown to Michael Jackson during their rise to stardom. Catch a live performance or take a tour to feel the magic that still fills this historic venue where emerging and established artists continue to dazzle crowds.

The Richard B. Fisher Center for the Performing Arts at Bard College offers an architecturally bold and dynamic environment for innovative artistic presentation in the Hudson Valley. Designed by Frank Gehry, the Fisher Center provides audiences with a world-class complex that inspires risk-taking performances and provocative programs in orchestral, chamber, and jazz music and theater, dance, and opera by American and international artists. The Center is also home to Bard College's Theater Program and Dance Program.

Step into a piece of Broadway history at this stunning 1921 theater, where legendary performances from Cyrano de Bergerac to Lena Horne's Tony Award-winning triumph have captivated audiences for over a century. Today, it remains a jewel of Times Square, continuing the Nederlander family's tradition of showcasing world-class theater and entertainment in one of America's most iconic venues.

The Palace Theatre is a legitimate Broadway theatre located at 1564 Broadway in midtown-Manhattan.<br> Designed by architects Kirchoff & Rose, the theatre, built by California vaudeville entrepreneur and Broadway impresario Martin Beck, experienced a number of problems before it opened. E. F. Albee, one of the main executives for B. F. Keith and his powerful vaudeville circuit, demanded that Beck turn over three-quarters of the stock in the theatre in order to use acts from the Keith circuit. In addition, Oscar Hammerstein was the only person who could offer Keith acts in that section of Broadway, so Beck paid him off with $225,000. The theatre finally opened on March 24, 1913 with headliner Ed Wynn. To "play the Palace" meant that an entertainer had reached the pinnacle of his career, and it became a popular venue with performers like Sarah Bernhardt, Eddie Cantor, Bob Hope, Fanny Brice, Sophie Tucker, George Jessel, and Jack Benny. <a href="http://en.wikipedia.org" target="new">Source</a>

The Bernard B. Jacobs Theatre is a legitimate Broadway theatre located at 242 West 45th Street in midtown-Manhattan.<br> Designed by architect Herbert J. Krapp, it opened as the Royale Theatre on January 11, 1927 with a musical entitled Piggy. John Golden leased and renamed the theatre for himself from 1932 to 1937, when the Shubert Organization assumed ownership and leased the theater to CBS Radio until 1940, when it was restored to its original use and name. On May 9, 2005, it was renamed for longtime Shubert Organization president Bernard B. Jacobs. <a href="http://en.wikipedia.org" target="new">Source</a>

Coming up: Rodgers And Hammerstein's Cinderella. Rodgers + Hammerstein's Cinderella is coming to Broadway for the first time ever! Four-time Tony Award nominee Douglas Carter Beane’s (Sister Act, Xanadu) delightfully romantic and hilarious take on the ultimate makeover story features all the classic elements you remember—the pumpkin, the glass slipper, the masked ball and more—plus some surprising new twists! Rediscover some of Rodgers + Hammerstein's most beloved songs, including “In My Own Little Corner,” “Impossible/It’s Possible” and “Ten Minutes Ago" in this outrageously fun Broadway musical for dreamers of all ages. And not to worry... you'll be home well before the stroke of midnight!<br/> The Broadway Theatre is a legitimate Broadway theatre located at 1681 Broadway in midtown-Manhattan.<br> Designed by architect Eugene DeRosa for Benjamin S. Moss, it opened as B.S. Moss's Colony Theatre on Christmas Day 1924 as a venue for vaudeville shows and motion pictures. It was re-named Universal's Colony Theatre, B.S. Moss' Broadway Theatre, and Earl Carroll's Broadway Theatre before becoming a legitimate house simply called Broadway Theatre on December 8, 1930 . (In 1937, known as Ciné Roma, it showed Italian films). The Shuberts bought it in 1939. It was renovated extensively in 1956 and 1986. The large stage (nearly sixty feet deep) and seating capacity (1761) have made it a popular theatre for musicals throughout the years.

The Broadhurst Theatre is a legitimate Broadway theatre located at 235 West 44th Street in midtown Manhattan. <br> It was designed by architect Herbert J. Krapp, one of the major theatre designers of the early 1900s. Built back-to-back with the Plymouth, it was meant to resemble the style of the neighboring Henry B. Herts-designed Shubert and Booth theaters, using less expensive brick and terra cotta materials on the facades. Like all of Krapp's work during this period, it features minimal ornamentation, a single balcony, wide space, and excellent sightlines. Unlike the Majestic Theatre, which has housed The Phantom of the Opera (musical) since 1988, the Broadhurst does not run parallel to the street, but rather the stage is perpendicular. <a href="http://en.wikipedia.org" target="new">Source</a>

The John Golden Theatre is a legitimate Broadway theatre located at 252 West 45th Street in midtown-Manhattan.<br> Designed in a Moorish style along with the adjacent Royale Theatre by architect Herbert J. Krapp for Irwin Chanin, it opened as the Theater Masque on February 24, 1927 with the play Puppets of Passion. Seventy-six years later it would house another production known for its puppets, the award-winning Avenue Q.<br> In 1937, impresario John Golden acquired the theatre and renamed it for himself. It operated as a movie house in the 1940s and '50s before it was purchased by the Shuberts, who returned it to legitimate use.<br> With a seating capacity of only 800, it is one of the smallest houses on Broadway. <a href="http://en.wikipedia.org" target="new">Source</a>

The Longacre Theatre is a Broadway theatre located at 220 West 48th Street in midtown Manhattan.<br> Designed by architect Henry B. Herts, it was named for Longacre Square, the original name for Times Square. The French neo-classical building was constructed by impresario Harry Frazee, better remembered as the owner of the Boston Red Sox who, needing money for his theatrical ventures, sold Babe Ruth's contract to the New York Yankees. A curse allegedly lingers on the theater as a result, and superstitious producers avoid it for fear they'll be backing a flop, as noted by William Golden in his seminal book The Season. Despite the rumor, a large number of performers who have appeared on stage here have taken home a Tony Award for their efforts.<br> The Longacre's first show was a production of the William Hurlbut-Frances Whitehouse comedy Are You a Crook?, which opened on May 1, 1913. With the exception of its use as a television studio in the mid-1940s to early 1950s, the theatre has operated as a legitimate Broadway venue. <a href="http://en.wikipedia.org" target="new">Source</a>

Since 1927, this theatre was known as the Alvin. It was renamed in 1983 to honor America’s most prolific playwright, Neil Simon, following the successful engagement of Brighton Beach Memoirs, the first play of an autobiographical trilogy about his youth with his family. Fittingly, in 1985, the second play of Mr. Simon’s trilogy, Biloxi Blues played there successfully. In 1992, Mr. Simon returned again with his play, Jake’s Women. <br> Since 2000, the Neil Simon has been filled with music and dancing as the home to two of Broadway’s most popular productions, namely the acclaimed revival of The Music Man and, currently, the Tony Award®-winning Best Musical, Hairspray. <br> The Neil Simon Theatre has 1,445 seats and is one of The Nederlander Organization’s nine Broadway theatres.

The Ethel Barrymore Theatre is a legitimate Broadway theatre located at 243 West 47th Street in midtown-Manhattan. <br> Designed by architect Herbert J. Krapp and constructed by the Shuberts, it opened on December 20, 1928 with The Kingdom of God, a play selected by leading lady Ethel Barrymore. Over the next dozen years she returned to star in The Love Duel (1929), Scarlett Sister Mary (1930), The School for Scandal (1931), and An International Incident (1940). <br> It is the only surviving theatre of the many the Shuberts built for performers who were affiliated with them. It has been used continuously as a legitimate house, unlike many of the older theatres that have been used for a variety of purposes throughout the years. <a href="http://en.wikipedia.org" target="new">Source</a>

Step into this piece of Broadway history where the winter crowds gather to catch Cat on a Hot Tin Roof through March 30th. Built back in 1924 as the 46th Street Theatre, the venue got its current name in 1990 to celebrate Richard Rodgers, the composer whose fingerprints shaped Broadway's golden era. The marquee has lit up countless nights featuring Anything Goes, Guys and Dolls, Damn Yankees, How To Succeed in Business Without Really Trying, The Best Little Whorehouse in Texas, Nine, Chicago, and Movin' Out. A 2006 refresh brought the space back to life, and now the Richard Rodgers Gallery showcases artifacts tracing the legendary songwriter's legacy across the walls. With 1,319 seats, it's one of the nine Broadway homes managed by the Nederlander Organization, offering that intimate yet grand feeling you get when you're bundled up outside before ducking into the warmth and magic of live theater.

Where the heart of Times Square pulses with theatrical magic, this sprawling venue transforms into the African plains night after night. Picture yourself settling into one of 1,621 seats as the curtain rises on Disney's adaptation of their beloved 1994 film, complete with Elton John and Tim Rice's Grammy-winning score woven throughout the production. Julie Taymor's visionary direction and design work earned her a Tony, and her imagination practically leaps off the stage—giraffes stride majestically, birds cut through the air, and Pride Rock ascends from the floor as the music swells around you. The story follows young Simba as he grapples with growing up and accepting his place in the circle of life, drawing from African mythology and raw human emotion to create something genuinely fresh for Broadway. When you visit during winter's crisp evenings, there's something particularly enchanting about ducking into this glass-fronted building and escaping into the savanna's warmth and wonder. The modern architecture allows light to pour in from the Great White Way outside, creating an interesting contrast between the bustling city and the wild world unfolding onstage. Six Tony Awards in 1998 recognized it as the year's best new musical, and the production continues to captivate audiences with its blend of elaborate costumes, stunning puppetry, and the kind of theatrical spectacle that doesn't fade with time.

Discover Broadway magic at this 1,611-seat theater nestled within the iconic Marriott Marquis in Times Square. Crystal-clear acoustics and spacious, comfortable seating create the perfect setting for world-class productions, while on-site dining and shops let you make an evening of it without ever leaving the building.

Playwing this winter 2013: Mamma Mia! The world-wide smash Mamma Mia! is a heartwarming and funny new musical. On the eve of a wedding, a mother and daughter are suprised by the arrival of three men, one of whom may be the girl's father. You don't have to be a fan of the supergroup ABBA, who provided the 23 hit songs for Mamma Mia! to fall in love with this unforgettable new show, that will have you dancing in the aisles!</br> The Winter Garden Theatre is a Broadway theatre located at 1634 Broadway in midtown-Manhattan. Architect William Albert Swasey converted the former American Horse Exchange into a theatre for the Shuberts when they acquired the property. The fourth New York City venue to be christened the Winter Garden, it opened on March 10, 1911 with the early Jerome Kern musical La Belle Paree. <br/> It was completely remodeled in 1922 by Herbert J. Krapp. The large stage is wider than those in most Broadway houses, and the proscenium arch is relatively low. The building is situated uniquely on its lot, with the main entrance and marquee, located on Broadway, connected to the 1530-seat Seventh Avenue auditorium via a long hallway, and the rear wall of the stage abutting 50th Street. <a href="http://en.wikipedia.org" target="new">Source</a>

Tucked into Lincoln Center on the Upper West Side rather than the hustle of Times Square, this Manhattan venue at 150 W. 65th Street pushes back against traditional theater design. Eero Saarinen's Finnish-American vision shaped the space with an amphitheater layout and thrust stage that break the mold of classic Broadway houses. Two distinct performance spaces operate here: the main hall holds just over a thousand patrons, while the intimate companion room fits under three hundred. Winter visits offer a particularly special experience, with the surrounding plaza dressed in seasonal light and the theaters providing a warm cultural refuge during the colder months. The venue qualifies for Tony recognition despite its unconventional location away from the Theater District, hosting both dramatic productions and larger-scale musicals across its unique architectural footprint.

The Biltmore Theatre is a legitimate Broadway theatre located at 261 West 47th Street in midtown-Manhattan.<br> In 1987, a fire struck the Biltmore. The blaze, which was later determined to be an act of arson, destroyed the interior. After the fire, the building would sit vacant for fourteen years, suffering more structural damage from water and vandals. The theatre's ownership changed hands several times between 1987 and 2001, but most plans proposed for its future use - such as a showcase for "Best of Broadway" revues - were rejected since its New York City landmark designation required it to operate only as a legitimate Broadway house if renovated. <a href="http://en.wikipedia.org" target="new">Source</a>

Home to two of Manhattan’s most unique event spaces. The Hammerstein and The Grand offer an elegant setting for events of all kinds. With in-house recording studios, television studios and video post production facilities, the Manhattan Center has what it takes to make your next event a complete multimedia experience.<br> Located at 311 West 34th Street, the historic Manhattan Center building still stands over 100 years after it was first built as the Manhattan Opera House by Oscar Hammerstein I in 1906. Hammerstein built the opera house with the bold intention to take on the established Metropolitan Opera by featuring cheaper seats for the ordinary New Yorker. The Manhattan Opera house quickly became an alternative venue for many great operas and celebrated singers to make their debut.

Climb the steps to experience a beloved character brought vividly to life on stage, drawing from P.I. Travers' imagination and the cherished 1964 Disney film. The production wraps the Sherman brothers' Oscar-winning melodies alongside fresh compositions by George Stiles and Anthony Drewe, with Julian Fellowes crafting the narrative that guides audiences through the Banks household and their extraordinary nanny's arrival. Richard Lyre directs this visual spectacle with Matthew Bourne handling co-direction and choreography, while Bob Crowley transforms the stage with his set and costume creations. The winter months bring a particular magic to the theater's interiors as audiences gather in from the cold, settling in for the pageantry and whimsy that unfolds across the stage. Howard Harrison's lighting design and Stephen Mear's additional choreography complete an ensemble of celebrated theatrical artists who've shaped this production into something genuinely transportive.

The Ambassador Theatre is a legitimate Broadway theatre located at 219 West 49th Street in midtown-Manhattan.<br> Designed by architect Herbert J. Krapp for the Shuberts, the structure is unusual in that it is situated diagonally on its site to fit the maximum number of seats possible. Its external appearance, indistinguishable from many other Broadway houses, does not hint at the strange layout within. The building has been designated a New York City landmark.<br> The theatre opened on February 11, 1921 with the musical The Rose Girl. The Shuberts sold the property in 1935, and for the next two decades it was used as a movie theater and television studio for NBC and the DuMont Television Network. In 1956 the Shuberts assumed ownership again and returned it to strictly legitimate use. <a href="http://en.wikipedia.org" target="new">Source</a>

Watch Peter Brook's electrifying staging of The Suit unfold on stage—a haunting adaptation rooted in Can Themba's South African narrative about betrayal, punishment, and a marriage fractured beyond repair. A wife's infidelity. A suit left as evidence. A husband's cruel demand that she carry it everywhere, a wearable shadow of her transgression. Brook's direction weaves live musicians directly into the drama, letting hummed spirituals, African rhythms, and classical German lieder seep into every tense moment. The production captures an apartheid-era summer where wounds refused to close, and during winter months, its claustrophobic intensity hits even harder against the cold backdrop of the season. Since 1861, this Brooklyn institution has evolved from its origins as a home for the Philharmonic Society's concerts into a vital cultural hub. The original 176-194 Montague Street location in Brooklyn Heights boasted a 2,200-seat theater, a more intimate concert hall, performer spaces, and an ornate kitchen that fed the artistic community. The venue hosted everyone from Ellen Terry to Edwin Booth to Fritz Kreisler, mixing amateur and professional talent under one roof. Today, BAM continues that legacy by bringing world-class performance and cinema to the neighborhood year-round, proving Brooklyn's deep-rooted appetite for art extends far beyond a single season.

Lanford Wilson's Pulitzer Prize-winning comedy Talley’s Folly returns in a joyful and moving new production starring Tony Award® nominee Danny Burstein (Golden Boy, Follies) and Emmy® and Golden Globe® nominee Sarah Paulson (“American Horror Story,” Roundabout’s Crimes of the Heart).<br/> At the end of World War II, Matt Friedman, a Jewish immigrant who has spent his life keeping others at a distance, returns to the small town where he first met Sally Talley. Nothing like her conservative Protestant family and neighbors, Sally is a nurse with deep misgivings about the country’s future. After a lifetime of believing they’ll never truly belong in the world around them, Matt has worked up the courage to ask Sally for her hand, and convince her that they do belong—together.<br/> Michael Wilson (The Best Man, Roundabout’s The Milk Train Doesn’t Stop Here Anymore) directs this funny and heart-warming play about finding love when you’ve nearly given up looking.<br/> Performances begin on February 8, 2013 with an Opening Night of March 5, 2013 at the Laura Pels Theatre in the Harold and Miriam Steinberg Center for Theatre (111 West 46th Street). This is a limited engagement through April 28, 2013.

The George Gershwin Theatre is a legitimate Broadway theatre located at 222 West 51st Street in midtown-Manhattan.<br> Designed in an Art Nouveau style by set designer Ralph Alswang, it is situated on the lower levels of a towering office complex built on the side of the historical Capitol Theatre. It opened as the Uris Theatre on November 28, 1972 with the musical Via Galactica starring Raul Julia. It proved to be an inauspicious start for the venue, closing after only seven performances. From 1974-76 it served as a concert hall for limited engagements by a number of legendary pop music and jazz performers. <br> It was the first theatre constructed in New York City since 1928. With a seating capacity of 1933, it presently is the largest theatre on Broadway, with the exception of the New York State Theatre at Lincoln Center and New York City Center.<br> A Theatre Hall of Fame located in the lobby is a popular gathering place for audience members pre-show and during intermission. <a href="http://en.wikipedia.org" target="new">Source</a>

The Gerald Schoenfeld Theatre is a legitimate Broadway theatre located at 236 West 45th Street in midtown-Manhattan.<br> Designed by architect Herbert J. Krapp to resemble the neighboring Shubert and Booth theaters designed by Henry B. Herts, the building was constructed by the Shubert brothers in 1917-1918, christened the Plymouth Theatre, and leased to producer Arthur Hopkins. He intended it to be a venue for legitimate plays starring notable actors like John and Lionel Barrymore. The premiere production was A Successful Calamity, a comedy with William Gillette and Estelle Winwood.<br> After Hopkins died in 1948, control of the theater returned to the Shuberts, who still own the property, which was designated a New York City landmark in 1987. The 1,080-seat house was renamed for Gerald Schoenfeld, chairman of the Shubert Organization, in 2005. <a href="http://en.wikipedia.org" target="new">Source</a>

The Center for Performing Arts at Rhinebeck (known familiarly as The CENTER, and legally as Rhinebeck Performing Arts, Inc. or RPA) is a non-profit arts organization which offers performances and classes throughout the year. Performing and teaching artists are of local, national and international talent. <br> The Center serves as a regular performance venue for local theater companies including CENTERstage Productions (Death of a Salesman, Cabaret, My Fair Lady) the Gilbert & Sullivan Musical Theater Company (The Mikado, A Little Night Music, The Pirates of Penzance), Kids on Stage (Cinderella, The Emperor's New Clothes), Rhinebeck Theater Society (HONK!, The Complete Works of Shakespeare, Abridged, Oliver!), and Up In One Productions (Chicago, Fiddler on the Roof, The Wizard of Oz). The CENTER also hosts appearances by artists such as Jeff Boyer, Brian Bradley, Elaine Colandrea, Alpin Hong, Kitty Jones, Jeff McBride, The Puppet People, Solas an Lae, Tanglewood Marionettes, Pitchfork Militia, Barbara Rankin, and David Temple, to name a few.

The Circle in the Square Theatre is a legitimate Broadway theatre located at 235 West 50th Street in midtown Manhattan.<br> Designed by architect Alan Sayles, it is one of two theatres occupying the underground levels of Paramount Plaza, which was constructed as the Uris Building on the site of the famed Capitol Theater movie house. It originally served as the uptown home to the Circle-in-the-Square repertory company founded by Theodore Mann and Jose Quintero in 1961 in Greenwich Village. The first production, a revival of Mourning Becomes Electra, opened on November 15, 1972.<br> The rather small auditorium has a seating capacity of 650. It is one of only two Broadway houses with a thrust stage (the other is Lincoln Center's Vivian Beaumont Theatre).<br> The building also houses the Circle in the Square Theatre School, the only accredited training conservatory associated with a Broadway theatre, which offers a two-year training program in acting. <a href="http://en.wikipedia.org">Source</a>

Experience world-class theatre in the heart of Silver Spring at this acclaimed regional powerhouse. With intimate performances in a 150-seat black box theatre and a vibrant education center, Round House Theatre delivers bold, innovative productions that captivate audiences across the Washington, DC metro area—all led by Producing Artistic Director Blake Robison since 2005.