Coming up: Rodgers And Hammerstein's Cinderella. Rodgers + Hammerstein's Cinderella is coming to Broadway for the first time ever! Four-time Tony Award nominee Douglas Carter Beane’s (Sister Act, Xanadu) delightfully romantic and hilarious take on the ultimate makeover story features all the classic elements you remember—the pumpkin, the glass slipper, the masked ball and more—plus some surprising new twists! Rediscover some of Rodgers + Hammerstein's most beloved songs, including “In My Own Little Corner,” “Impossible/It’s Possible” and “Ten Minutes Ago" in this outrageously fun Broadway musical for dreamers of all ages. And not to worry... you'll be home well before the stroke of midnight!
The Broadway Theatre is a legitimate Broadway theatre located at 1681 Broadway in midtown-Manhattan.
Designed by architect Eugene DeRosa for Benjamin S. Moss, it opened as B.S. Moss's Colony Theatre on Christmas Day 1924 as a venue for vaudeville shows and motion pictures. It was re-named Universal's Colony Theatre, B.S. Moss' Broadway Theatre, and Earl Carroll's Broadway Theatre before becoming a legitimate house simply called Broadway Theatre on December 8, 1930 . (In 1937, known as Ciné Roma, it showed Italian films). The Shuberts bought it in 1939. It was renovated extensively in 1956 and 1986. The large stage (nearly sixty feet deep) and seating capacity (1761) have made it a popular theatre for musicals throughout the years.

The Palace Theatre is a legitimate Broadway theatre located at 1564 Broadway in midtown-Manhattan.
Designed by architects Kirchoff & Rose, the theatre, built by California vaudeville entrepreneur and Broadway impresario Martin Beck, experienced a number of problems before it opened. E. F. Albee, one of the main executives for B. F. Keith and his powerful vaudeville circuit, demanded that Beck turn over three-quarters of the stock in the theatre in order to use acts from the Keith circuit. In addition, Oscar Hammerstein was the only person who could offer Keith acts in that section of Broadway, so Beck paid him off with $225,000. The theatre finally opened on March 24, 1913 with headliner Ed Wynn. To "play the Palace" meant that an entertainer had reached the pinnacle of his career, and it became a popular venue with performers like Sarah Bernhardt, Eddie Cantor, Bob Hope, Fanny Brice, Sophie Tucker, George Jessel, and Jack Benny. Source

The Longacre Theatre is a Broadway theatre located at 220 West 48th Street in midtown Manhattan.
Designed by architect Henry B. Herts, it was named for Longacre Square, the original name for Times Square. The French neo-classical building was constructed by impresario Harry Frazee, better remembered as the owner of the Boston Red Sox who, needing money for his theatrical ventures, sold Babe Ruth's contract to the New York Yankees. A curse allegedly lingers on the theater as a result, and superstitious producers avoid it for fear they'll be backing a flop, as noted by William Golden in his seminal book The Season. Despite the rumor, a large number of performers who have appeared on stage here have taken home a Tony Award for their efforts.
The Longacre's first show was a production of the William Hurlbut-Frances Whitehouse comedy Are You a Crook?, which opened on May 1, 1913. With the exception of its use as a television studio in the mid-1940s to early 1950s, the theatre has operated as a legitimate Broadway venue. Source

The Vivian Beaumont Theater is a theater in New York City in the United States. It is located at Lincoln Center, 150 W. 65th Street, on the Upper West Side of Manhattan. It was designed by the renowned Finnish American architect Eero Saarinen. Although it was built for the presentation of plays such as those produced on Broadway, it differs from traditional Broadway theaters because of its amphitheater configuration and thrust stage. The building includes two auditoriums, the 1,080-seat Vivian Beaumont Theater and the 299-seat Mitzi E. Newhouse Theater (called The Forum until 1973). The Beaumont is considered a fairly large theater for dramatic plays and a medium-size theater for musicals. It is New York's only Broadway-class theater (eligible for Tony Awards) that is not located in the Theater District near Times Square. Source

2013 Winter/Spring Season. Based on The Suit by Can Themba, Mothobi Mutloatse, and Barney Simon Direction, adaptation, and music by Peter Brook, Marie-Hélène Estienne, and Franck Krawczyk The renowned Peter Brook—whose 1987 production of The Mahabharata inaugurated the BAM Majestic Theater (now the BAM Harvey Theater)—returns with a music-filled adaptation of South African writer Can Themba’s piercing tale of simmering resentment and tragedy, The Suit. A wife caught in the act, her lover fleeing the scene, a suit left behind. It’s the perfect recipe for a husband’s punishing, humiliating decree: go on with business as usual, he says to his spouse, but take your lover’s suit everywhere you go as a ghostly reminder of your betrayal. Using an innovative staging that integrates live musicians directly into the action, Brook makes Themba’s volatile work sing. A hummed “Strange Fruit,” African melodies, and Schubert lieder thicken the tense, poisoned air of this apartheid-era summer in which a shared wound was not allowed to heal.
Dating from its first performance in 1861, BAM has grown into a thriving urban arts center that brings international performing arts and film to Brooklyn. The first BAM facility at 176-194 Montague Street in Brooklyn Heights was originally conceived by the Philharmonic Society of Brooklyn as a home for its concerts. It housed a large theater seating 2,200, a smaller concert hall, dressing and chorus rooms, and a vast "baronial" kitchen. BAM presented both amateur and professional music and theater productions. Performers included Ellen Terry, Edwin Booth, Tomas Salvini, and Fritz Kreisler.

The Music Box Theater is a legitimate Broadway theatre located at 239 West 45th Street in midtown-Manhattan.
The most aptly named theater on Broadway, the intimate Music Box was designed by architect C. Howard Crane and constructed by composer Irving Berlin and producer Sam H. Harris specifically to house Berlin's famed Music Box Revues. It opened in 1921 and hosted a new musical production every year until 1925, when it presented its first play, Cradle Snatchers, starring Humphrey Bogart. The following year, Chicago, the Maurine Dallas Watkins play that served as the basis for the hit musical, opened here. It housed a string of hits for the playwriting team of George S. Kaufman and Moss Hart, from their first collaboration Once in a Lifetime to their smash hit The Man Who Came to Dinner. Cole Porter and George and Ira Gershwin also presented shows here. Source

From Trey Parker and Matt Stone, four-time Emmy Award-winning creators of South Park comes this hilarious Broadway musical about a pair of mismatched Mormon boys sent on a mission to a place that's about as far from Salt Lake City as you can get.
The Book of Mormon is written in collaboration with Robert Lopez, the Tony Award-winning writer of Avenue Q, and co-directed by Mr. Parker and three-time Tony nominee Casey Nicholaw (Spamalot, The Drowsy Chaperone).
The Eugene O'Neill Theatre is a legitimate Broadway theatre located at 230 West 49th Street in midtown-Manhattan.
Designed by architect Herbert J. Krapp, it was built for the Shuberts as part of a theatre-hotel complex named for 19th century tragedian Edwin Forrest. It opened on November 24, 1925 with the musical Mayflowers as its premiere production. It was renamed the Coronet in 1945 and rechristened the O'Neill in honor of the renowned American playwright in 1959 by then owner Lester Osterman. It later was purchased by playwright Neil Simon, who sold it to Jujamcyn Theatres in 1982.

Now playing: Evita.
Opened in 1986, the Marquis Theatre is one of the newest theatres to be built on Broadway. Located inside the Marriott Marquis Hotel, it was designed to provide maximum comfort for audiences and actors while conveying a feeling of intimacy. The venue features expansive backstage, high ceilings, state-of-the-art acoustics, wide aisles, comfortable seats, ample restrooms and parking.
Since its opening, the theatre has showcased a series of hit musicals including Me and My Girl, Gypsy, Man of La Mancha, The Goodbye Girl, Damn Yankees, Victor/Victoria, Peter Pan, Annie Get Your Gun and Thoroughly Modern Millie. Before or after seeing The Drowsy Chaperone, theatergoers can dine at one of the fine restaurants located throughout the hotel.
The Marquis has 1,611 seats and is one of The Nederlander Organization's nine Broadway theatres.

The John Golden Theatre is a legitimate Broadway theatre located at 252 West 45th Street in midtown-Manhattan.
Designed in a Moorish style along with the adjacent Royale Theatre by architect Herbert J. Krapp for Irwin Chanin, it opened as the Theater Masque on February 24, 1927 with the play Puppets of Passion. Seventy-six years later it would house another production known for its puppets, the award-winning Avenue Q.
In 1937, impresario John Golden acquired the theatre and renamed it for himself. It operated as a movie house in the 1940s and '50s before it was purchased by the Shuberts, who returned it to legitimate use.
With a seating capacity of only 800, it is one of the smallest houses on Broadway. Source

Yesterday…A place where thousands of young artists have stepped out into the spotlight and launched their careers. A place "where stars are born and legends are made." The legendary Apollo Theater is so much more than an historic landmark - it is a source of pride and a symbol of the brilliance of American artistic achievement. From 1934 when the Apollo first introduced its world-famous Amateur Night which launched the careers of legendary artists like Ella Fitzgerald, James Brown, Michael Jackson, D'Angelo and Lauryn Hill, the Apollo has maintained its position as the nation's most popular arena for emerging and established black and Latino performers.

The Booth Theatre is a legitimate Broadway theatre located at 222 West 45th Street in midtown-Manhattan, New York City.
The venue was the second New York City theatre to bear this name. The first was built by Booth himself in 1869 on the corner of 23rd Street and 6th Avenue.
The Booth Theatre appeared in the West Wing episode Posse Comitatus. It hosted a fictitous charity performance of War of the Roses which an equally fictitious President Bartlett attended while pondering the planned assassination of the Quamari Defence Minister. Source

Since 1927, this theatre was known as the Alvin. It was renamed in 1983 to honor America’s most prolific playwright, Neil Simon, following the successful engagement of Brighton Beach Memoirs, the first play of an autobiographical trilogy about his youth with his family. Fittingly, in 1985, the second play of Mr. Simon’s trilogy, Biloxi Blues played there successfully. In 1992, Mr. Simon returned again with his play, Jake’s Women.
Since 2000, the Neil Simon has been filled with music and dancing as the home to two of Broadway’s most popular productions, namely the acclaimed revival of The Music Man and, currently, the Tony Award®-winning Best Musical, Hairspray.
The Neil Simon Theatre has 1,445 seats and is one of The Nederlander Organization’s nine Broadway theatres.

Playing in January 2013: The Phantom Of The Opera. Winner of 7 1988 Tony Awards including Best Musical, The Phantom of the Opera is based on the novel by Gaston Leroux. It tells the story of the hideously deformed Phantom who lurks beneath the stage of the Paris Opera, exercising a reign of terror over its occupants. The phantom falls in love with the young Soprano devoting himself to creating a new star for the Opera by nurturing her extraordinary talents and employing all the skills at his disposal.
The Majestic Theatre is a Broadway theatre located at 245 West 44th Street in midtown Manhattan.
An earlier theatre with the same name had been located at 5 Columbus Circle, the present site of the Time-Warner building. Designed in 1903 by John Duncan, the architect of Grant's Tomb, the theatre hosted original musicals, including The Wizard of Oz and Babes in Toyland, and briefly served as a studio for NBC. It was renamed the Park Theatre in 1911 and demolished in 1954. Source

The Broadhurst Theatre is a legitimate Broadway theatre located at 235 West 44th Street in midtown Manhattan.
It was designed by architect Herbert J. Krapp, one of the major theatre designers of the early 1900s. Built back-to-back with the Plymouth, it was meant to resemble the style of the neighboring Henry B. Herts-designed Shubert and Booth theaters, using less expensive brick and terra cotta materials on the facades. Like all of Krapp's work during this period, it features minimal ornamentation, a single balcony, wide space, and excellent sightlines. Unlike the Majestic Theatre, which has housed The Phantom of the Opera (musical) since 1988, the Broadhurst does not run parallel to the street, but rather the stage is perpendicular. Source

The Center for Performing Arts at Rhinebeck (known familiarly as The CENTER, and legally as Rhinebeck Performing Arts, Inc. or RPA) is a non-profit arts organization which offers performances and classes throughout the year. Performing and teaching artists are of local, national and international talent.
The Center serves as a regular performance venue for local theater companies including CENTERstage Productions (Death of a Salesman, Cabaret, My Fair Lady) the Gilbert & Sullivan Musical Theater Company (The Mikado, A Little Night Music, The Pirates of Penzance), Kids on Stage (Cinderella, The Emperor's New Clothes), Rhinebeck Theater Society (HONK!, The Complete Works of Shakespeare, Abridged, Oliver!), and Up In One Productions (Chicago, Fiddler on the Roof, The Wizard of Oz). The CENTER also hosts appearances by artists such as Jeff Boyer, Brian Bradley, Elaine Colandrea, Alpin Hong, Kitty Jones, Jeff McBride, The Puppet People, Solas an Lae, Tanglewood Marionettes, Pitchfork Militia, Barbara Rankin, and David Temple, to name a few.

The Richard B. Fisher Center for the Performing Arts at Bard College offers an architecturally bold and dynamic environment for innovative artistic presentation in the Hudson Valley. Designed by Frank Gehry, the Fisher Center provides audiences with a world-class complex that inspires risk-taking performances and provocative programs in orchestral, chamber, and jazz music and theater, dance, and opera by American and international artists. The Center is also home to Bard College's Theater Program and Dance Program.