Majestic Theatre

The Longacre Theatre is a Broadway theatre located at 220 West 48th Street in midtown Manhattan.<br> Designed by architect Henry B. Herts, it was named for Longacre Square, the original name for Times Square. The French neo-classical building was constructed by impresario Harry Frazee, better remembered as the owner of the Boston Red Sox who, needing money for his theatrical ventures, sold Babe Ruth's contract to the New York Yankees. A curse allegedly lingers on the theater as a result, and superstitious producers avoid it for fear they'll be backing a flop, as noted by William Golden in his seminal book The Season. Despite the rumor, a large number of performers who have appeared on stage here have taken home a Tony Award for their efforts.<br> The Longacre's first show was a production of the William Hurlbut-Frances Whitehouse comedy Are You a Crook?, which opened on May 1, 1913. With the exception of its use as a television studio in the mid-1940s to early 1950s, the theatre has operated as a legitimate Broadway venue. <a href="http://en.wikipedia.org" target="new">Source</a>

The Music Box Theater is a legitimate Broadway theatre located at 239 West 45th Street in midtown-Manhattan. <br> The most aptly named theater on Broadway, the intimate Music Box was designed by architect C. Howard Crane and constructed by composer Irving Berlin and producer Sam H. Harris specifically to house Berlin's famed Music Box Revues. It opened in 1921 and hosted a new musical production every year until 1925, when it presented its first play, Cradle Snatchers, starring Humphrey Bogart. The following year, Chicago, the Maurine Dallas Watkins play that served as the basis for the hit musical, opened here. It housed a string of hits for the playwriting team of George S. Kaufman and Moss Hart, from their first collaboration Once in a Lifetime to their smash hit The Man Who Came to Dinner. Cole Porter and George and Ira Gershwin also presented shows here. <a href="http://en.wikipedia.org" target="new">Source</a>

Since 1927, this theatre was known as the Alvin. It was renamed in 1983 to honor America’s most prolific playwright, Neil Simon, following the successful engagement of Brighton Beach Memoirs, the first play of an autobiographical trilogy about his youth with his family. Fittingly, in 1985, the second play of Mr. Simon’s trilogy, Biloxi Blues played there successfully. In 1992, Mr. Simon returned again with his play, Jake’s Women. <br> Since 2000, the Neil Simon has been filled with music and dancing as the home to two of Broadway’s most popular productions, namely the acclaimed revival of The Music Man and, currently, the Tony Award®-winning Best Musical, Hairspray. <br> The Neil Simon Theatre has 1,445 seats and is one of The Nederlander Organization’s nine Broadway theatres.

The John Golden Theatre is a legitimate Broadway theatre located at 252 West 45th Street in midtown-Manhattan.<br> Designed in a Moorish style along with the adjacent Royale Theatre by architect Herbert J. Krapp for Irwin Chanin, it opened as the Theater Masque on February 24, 1927 with the play Puppets of Passion. Seventy-six years later it would house another production known for its puppets, the award-winning Avenue Q.<br> In 1937, impresario John Golden acquired the theatre and renamed it for himself. It operated as a movie house in the 1940s and '50s before it was purchased by the Shuberts, who returned it to legitimate use.<br> With a seating capacity of only 800, it is one of the smallest houses on Broadway. <a href="http://en.wikipedia.org" target="new">Source</a>

The Circle in the Square Theatre is a legitimate Broadway theatre located at 235 West 50th Street in midtown Manhattan.<br> Designed by architect Alan Sayles, it is one of two theatres occupying the underground levels of Paramount Plaza, which was constructed as the Uris Building on the site of the famed Capitol Theater movie house. It originally served as the uptown home to the Circle-in-the-Square repertory company founded by Theodore Mann and Jose Quintero in 1961 in Greenwich Village. The first production, a revival of Mourning Becomes Electra, opened on November 15, 1972.<br> The rather small auditorium has a seating capacity of 650. It is one of only two Broadway houses with a thrust stage (the other is Lincoln Center's Vivian Beaumont Theatre).<br> The building also houses the Circle in the Square Theatre School, the only accredited training conservatory associated with a Broadway theatre, which offers a two-year training program in acting. <a href="http://en.wikipedia.org">Source</a>

Step into Harlem's most iconic stage and experience the birthplace of American entertainment. This legendary theater has been launching careers and captivating audiences since 1934, hosting everyone from Ella Fitzgerald to James Brown to Michael Jackson during their rise to stardom. Catch a live performance or take a tour to feel the magic that still fills this historic venue where emerging and established artists continue to dazzle crowds.

Coming up: Rodgers And Hammerstein's Cinderella. Rodgers + Hammerstein's Cinderella is coming to Broadway for the first time ever! Four-time Tony Award nominee Douglas Carter Beane’s (Sister Act, Xanadu) delightfully romantic and hilarious take on the ultimate makeover story features all the classic elements you remember—the pumpkin, the glass slipper, the masked ball and more—plus some surprising new twists! Rediscover some of Rodgers + Hammerstein's most beloved songs, including “In My Own Little Corner,” “Impossible/It’s Possible” and “Ten Minutes Ago" in this outrageously fun Broadway musical for dreamers of all ages. And not to worry... you'll be home well before the stroke of midnight!<br/> The Broadway Theatre is a legitimate Broadway theatre located at 1681 Broadway in midtown-Manhattan.<br> Designed by architect Eugene DeRosa for Benjamin S. Moss, it opened as B.S. Moss's Colony Theatre on Christmas Day 1924 as a venue for vaudeville shows and motion pictures. It was re-named Universal's Colony Theatre, B.S. Moss' Broadway Theatre, and Earl Carroll's Broadway Theatre before becoming a legitimate house simply called Broadway Theatre on December 8, 1930 . (In 1937, known as Ciné Roma, it showed Italian films). The Shuberts bought it in 1939. It was renovated extensively in 1956 and 1986. The large stage (nearly sixty feet deep) and seating capacity (1761) have made it a popular theatre for musicals throughout the years.

NEW YORK PREMIERE: THE NORTH POOL By RAJIV JOSEPH and Directed by GIOVANNA SARDELLI. FEB 14 - MAR 24. In this riveting psychological thriller, a high school vice principal and a Middle Eastern-born transfer student engage in a politically and emotionally charged game of cat and mouse, with dangerous consequences. A powerful new play from Pulitzer Prize finalist Rajiv Joseph, author of Bengal Tiger at the Baghdad Zoo, and recipient of The Vineyard’s Paula Vogel Playwriting Award. <br/> Vineyard Theatreis a non-profit theatre company dedicated to new work, bold programming and the support of artists. One of America’s preeminent centers for the creation of new plays and musicals, Vineyard Theatre has consistently premiered provocative, groundbreaking works by both new and established writers.

The Belasco Theatre is a legitmate Broadway theatre located at 111 West 44th Street in midtown-Manhattan.<br> Designed by architect George Keister for impresario David Belasco, the interior featured Tiffany lighting and ceiling panels, rich woodwork and expansive murals, and a ten-room duplex penthouse apartment that Belasco utilized as combination living quarters/office space. <br>Technically it was outfitted with the most advanced stagecraft tools available, including extensive lighting rigs, a hydraulics system, and vast wing and fly space.<br> It opened as the Stuyvesant Theatre on October 16, 1907 with the musical A Grand Army Man with Antoinette Perry. Three years later Belasco attached his own name to the venue. After his death in 1931, it was leased first by actress Katharine Cornell and then playwright Elmer Rice. The Shuberts bought it in 1949 and leased it to NBC for three years before returning it to legitimate use.<br> This theater is the subject of an urban legend that David Belasco's ghost haunts the theater every night. Some performers in the shows that played there have even claimed to have spotted him or other ghosts during performances. <a href="http://en.wikipedia.org" target="new">Source</a>

Lanford Wilson's Pulitzer Prize-winning comedy Talley’s Folly returns in a joyful and moving new production starring Tony Award® nominee Danny Burstein (Golden Boy, Follies) and Emmy® and Golden Globe® nominee Sarah Paulson (“American Horror Story,” Roundabout’s Crimes of the Heart).<br/> At the end of World War II, Matt Friedman, a Jewish immigrant who has spent his life keeping others at a distance, returns to the small town where he first met Sally Talley. Nothing like her conservative Protestant family and neighbors, Sally is a nurse with deep misgivings about the country’s future. After a lifetime of believing they’ll never truly belong in the world around them, Matt has worked up the courage to ask Sally for her hand, and convince her that they do belong—together.<br/> Michael Wilson (The Best Man, Roundabout’s The Milk Train Doesn’t Stop Here Anymore) directs this funny and heart-warming play about finding love when you’ve nearly given up looking.<br/> Performances begin on February 8, 2013 with an Opening Night of March 5, 2013 at the Laura Pels Theatre in the Harold and Miriam Steinberg Center for Theatre (111 West 46th Street). This is a limited engagement through April 28, 2013.

Playwing this winter 2013: Mamma Mia! The world-wide smash Mamma Mia! is a heartwarming and funny new musical. On the eve of a wedding, a mother and daughter are suprised by the arrival of three men, one of whom may be the girl's father. You don't have to be a fan of the supergroup ABBA, who provided the 23 hit songs for Mamma Mia! to fall in love with this unforgettable new show, that will have you dancing in the aisles!</br> The Winter Garden Theatre is a Broadway theatre located at 1634 Broadway in midtown-Manhattan. Architect William Albert Swasey converted the former American Horse Exchange into a theatre for the Shuberts when they acquired the property. The fourth New York City venue to be christened the Winter Garden, it opened on March 10, 1911 with the early Jerome Kern musical La Belle Paree. <br/> It was completely remodeled in 1922 by Herbert J. Krapp. The large stage is wider than those in most Broadway houses, and the proscenium arch is relatively low. The building is situated uniquely on its lot, with the main entrance and marquee, located on Broadway, connected to the 1530-seat Seventh Avenue auditorium via a long hallway, and the rear wall of the stage abutting 50th Street. <a href="http://en.wikipedia.org" target="new">Source</a>

Watch Peter Brook's electrifying staging of The Suit unfold on stage—a haunting adaptation rooted in Can Themba's South African narrative about betrayal, punishment, and a marriage fractured beyond repair. A wife's infidelity. A suit left as evidence. A husband's cruel demand that she carry it everywhere, a wearable shadow of her transgression. Brook's direction weaves live musicians directly into the drama, letting hummed spirituals, African rhythms, and classical German lieder seep into every tense moment. The production captures an apartheid-era summer where wounds refused to close, and during winter months, its claustrophobic intensity hits even harder against the cold backdrop of the season. Since 1861, this Brooklyn institution has evolved from its origins as a home for the Philharmonic Society's concerts into a vital cultural hub. The original 176-194 Montague Street location in Brooklyn Heights boasted a 2,200-seat theater, a more intimate concert hall, performer spaces, and an ornate kitchen that fed the artistic community. The venue hosted everyone from Ellen Terry to Edwin Booth to Fritz Kreisler, mixing amateur and professional talent under one roof. Today, BAM continues that legacy by bringing world-class performance and cinema to the neighborhood year-round, proving Brooklyn's deep-rooted appetite for art extends far beyond a single season.

A legitimate Broadway theatre located at 302 West 45th Street in midtown-Manhattan. Designed by architect G. Albert Lansburgh for vaudeville promoter Martin Beck, the theatre opened as the Martin Beck Theatre with a production of Madame Pompadour on November 11, 1924. It was the only theater in New York that was owned outright without a mortgage. It was designed to be the most opulent theater of its time, and has dressing rooms for 200 actors. The theatre has a seating capacity of 1,292 for plays and 1,282 for musicals. <br> This is one of five theatres owned and operated by Jujamcyn Theaters. Source: en.wikipeddia.org

The Lyceum Theatre is a legitimate Broadway theatre located at 149 West 45th Street in midtown-Manhattan.<br> It has the distinction of being the oldest surviving Broadway venue (along with the New Amsterdam Theatre), the oldest continuously operating legitimate theatre in New York City, and the first Broadway theatre ever to be granted landmark status. It is one of the few theatres in New York to operate under its original name.<br> The theatre maintains most of its original Beaux-Arts design, including its elaborate marble staircases and undulating marquee. Although it has three levels, it is one of the smallest Broadway theatres in terms of capacity, seating only 950. An apartment located above the orchestra, originally used by Frohman, is now the headquarters of the Shubert Archives. <a href="http://en.wikipedia.org" target="new">Source</a>

The Broadhurst Theatre is a legitimate Broadway theatre located at 235 West 44th Street in midtown Manhattan. <br> It was designed by architect Herbert J. Krapp, one of the major theatre designers of the early 1900s. Built back-to-back with the Plymouth, it was meant to resemble the style of the neighboring Henry B. Herts-designed Shubert and Booth theaters, using less expensive brick and terra cotta materials on the facades. Like all of Krapp's work during this period, it features minimal ornamentation, a single balcony, wide space, and excellent sightlines. Unlike the Majestic Theatre, which has housed The Phantom of the Opera (musical) since 1988, the Broadhurst does not run parallel to the street, but rather the stage is perpendicular. <a href="http://en.wikipedia.org" target="new">Source</a>

Tucked into Lincoln Center on the Upper West Side rather than the hustle of Times Square, this Manhattan venue at 150 W. 65th Street pushes back against traditional theater design. Eero Saarinen's Finnish-American vision shaped the space with an amphitheater layout and thrust stage that break the mold of classic Broadway houses. Two distinct performance spaces operate here: the main hall holds just over a thousand patrons, while the intimate companion room fits under three hundred. Winter visits offer a particularly special experience, with the surrounding plaza dressed in seasonal light and the theaters providing a warm cultural refuge during the colder months. The venue qualifies for Tony recognition despite its unconventional location away from the Theater District, hosting both dramatic productions and larger-scale musicals across its unique architectural footprint.

Climb the steps to experience a beloved character brought vividly to life on stage, drawing from P.I. Travers' imagination and the cherished 1964 Disney film. The production wraps the Sherman brothers' Oscar-winning melodies alongside fresh compositions by George Stiles and Anthony Drewe, with Julian Fellowes crafting the narrative that guides audiences through the Banks household and their extraordinary nanny's arrival. Richard Lyre directs this visual spectacle with Matthew Bourne handling co-direction and choreography, while Bob Crowley transforms the stage with his set and costume creations. The winter months bring a particular magic to the theater's interiors as audiences gather in from the cold, settling in for the pageantry and whimsy that unfolds across the stage. Howard Harrison's lighting design and Stephen Mear's additional choreography complete an ensemble of celebrated theatrical artists who've shaped this production into something genuinely transportive.

Rock and Roll Hall of Fame inductees, Lynyrd Skynyrd continues to make music and rock stages. Don't miss this legendary band at The Beacon Theatre on January 15!<br/> The Beacon Theatre is the "older sister" to Radio City Music Hall. Both legendary venues were the "brainchild" of Samuel "Roxy" Rothafel, the great theatrical impresario and visionary of his time.

Home to two of Manhattan’s most unique event spaces. The Hammerstein and The Grand offer an elegant setting for events of all kinds. With in-house recording studios, television studios and video post production facilities, the Manhattan Center has what it takes to make your next event a complete multimedia experience.<br> Located at 311 West 34th Street, the historic Manhattan Center building still stands over 100 years after it was first built as the Manhattan Opera House by Oscar Hammerstein I in 1906. Hammerstein built the opera house with the bold intention to take on the established Metropolitan Opera by featuring cheaper seats for the ordinary New Yorker. The Manhattan Opera house quickly became an alternative venue for many great operas and celebrated singers to make their debut.

The Imperial Theatre is a legitimate Broadway theatre located at 249 West 45th Street in midtown-Manhattan. The theatre seats up to 1417 people.<br> The Shubert Organization's fiftieth venue in New York City, it was constructed to replace their outdated Lyric Theatre. Designed by architect Herbert J. Krapp specifically to accommodate musical theatre productions, it opened on December 25, 1923 with the Oscar Hammerstein II-Vincent Youmans production Mary Jane McKane. Since then, it has hosted numerous important musicals, including Annie Get Your Gun (1946), Fiddler on the Roof (1964), Dreamgirls (1981), The Mystery of Edwin Drood (1985), and Les Miserables (1990), which played at the theatre until 2003. <a href="http://en.wikipedia.org" target="new">Source</a>

The Ethel Barrymore Theatre is a legitimate Broadway theatre located at 243 West 47th Street in midtown-Manhattan. <br> Designed by architect Herbert J. Krapp and constructed by the Shuberts, it opened on December 20, 1928 with The Kingdom of God, a play selected by leading lady Ethel Barrymore. Over the next dozen years she returned to star in The Love Duel (1929), Scarlett Sister Mary (1930), The School for Scandal (1931), and An International Incident (1940). <br> It is the only surviving theatre of the many the Shuberts built for performers who were affiliated with them. It has been used continuously as a legitimate house, unlike many of the older theatres that have been used for a variety of purposes throughout the years. <a href="http://en.wikipedia.org" target="new">Source</a>

Step into this piece of Broadway history where the winter crowds gather to catch Cat on a Hot Tin Roof through March 30th. Built back in 1924 as the 46th Street Theatre, the venue got its current name in 1990 to celebrate Richard Rodgers, the composer whose fingerprints shaped Broadway's golden era. The marquee has lit up countless nights featuring Anything Goes, Guys and Dolls, Damn Yankees, How To Succeed in Business Without Really Trying, The Best Little Whorehouse in Texas, Nine, Chicago, and Movin' Out. A 2006 refresh brought the space back to life, and now the Richard Rodgers Gallery showcases artifacts tracing the legendary songwriter's legacy across the walls. With 1,319 seats, it's one of the nine Broadway homes managed by the Nederlander Organization, offering that intimate yet grand feeling you get when you're bundled up outside before ducking into the warmth and magic of live theater.

Head to this intimate Broadway venue tucked along West 49th Street in midtown Manhattan where irreverent comedy takes center stage. The Book of Mormon, a wickedly funny musical collaboration between South Park's Trey Parker and Matt Stone alongside Tony-winning composer Robert Lopez, pairs two earnest young missionaries with a destination that couldn't be further removed from their Utah roots. Parker and Casey Nicholaw jointly direct this production that's earned multiple Emmy accolades for its creators and a reputation for leaving audiences laughing through the winter nights when the theater's warm glow becomes a welcome refuge from the cold streets outside. The building itself carries over a century of theatrical history within its walls. Herbert J. Krapp's architectural vision birthed this space in 1925 as part of a grander theater-hotel development honoring 19th century actor Edwin Forrest. Through its various incarnations—first as the Coronet, then renamed after American playwright Eugene O'Neill in 1959—the venue has hosted countless productions. Playwright Neil Simon once owned the space before Jujamcyn Theatres acquired it in 1982, adding another layer to its storied Manhattan legacy.

The Ambassador Theatre is a legitimate Broadway theatre located at 219 West 49th Street in midtown-Manhattan.<br> Designed by architect Herbert J. Krapp for the Shuberts, the structure is unusual in that it is situated diagonally on its site to fit the maximum number of seats possible. Its external appearance, indistinguishable from many other Broadway houses, does not hint at the strange layout within. The building has been designated a New York City landmark.<br> The theatre opened on February 11, 1921 with the musical The Rose Girl. The Shuberts sold the property in 1935, and for the next two decades it was used as a movie theater and television studio for NBC and the DuMont Television Network. In 1956 the Shuberts assumed ownership again and returned it to strictly legitimate use. <a href="http://en.wikipedia.org" target="new">Source</a>

The Shubert Theatre is a legitimate Broadway theatre located at 225 West 44th Street in midtown-Manhattan, New York, United States. <br> Designed by architect Henry B. Herts, it was named after Sam S. Shubert, the oldest of the three brothers of the theatrical producing family. It shares a Venetian Renaissance facade with the adjoining Booth Theatre, which was constructed at the same time, although the two have distinctly different interiors. It opened on October 21, 1913 with a series of Shakespearean plays, including Othello, Hamlet, and The Merchant of Venice, staged by the Forbes-Robertson Repertory Company. <br> The theatre's most famous and longest tenant was A Chorus Line, with a run of 6137 performances lasting nearly fifteen years. <br> The top floor of the building houses the offices of the Shubert Organization. The theatre's auditorium and murals were restored in 1996. It has been designated a New York City landmark. <a href="http://en.wikipedia.org" target="new">Source</a>

Discover Broadway magic at this 1,611-seat theater nestled within the iconic Marriott Marquis in Times Square. Crystal-clear acoustics and spacious, comfortable seating create the perfect setting for world-class productions, while on-site dining and shops let you make an evening of it without ever leaving the building.

Grammy® Award-winning superstar Barry Manilow returns to the Broadway stage for the first time in more than two decades! Don't miss this unprecedented limited engagement as one of our most beloved entertainers performs songs from his massive catalog of hits in an intimate setting at the St. James Theatre on Broadway. From “Mandy” to "I Write the Songs" to "Copacabana (At The Copa)" and so many more, Manilow’s new Broadway show is destined to be as legendary as the man himself.<br/> The St. James Theatre is located at 246 W. 44th St. Broadway, New York City, New York. It was built by Abraham L. Erlanger, theatrical producer and a founding member of the Theatrical Syndicate, on the site of the original Sardi's restaurant. It opened in 1927 as The Erlanger. Upon Erlanger's death in 1930, control of the venue was taken over by the Astor family, who owned the land on which the theatre stood. The Astors renamed it the St. James Theatre. <br> The theatre was purchased by the Shuberts in the late 1930s. They were forced to sell it to the William L. McKnight in 1957 following the loss of an antitrust case. McKnight renovated the St. James and reopened it in 1958. In 1970, McKnight then transferred the theatre to his daughter Virginia and her husband James H. Binger, who had formed the Jujamcyn Amusement Corporation. <a href="http://en.wikipedia.org" target="new">Source</a>

The Biltmore Theatre is a legitimate Broadway theatre located at 261 West 47th Street in midtown-Manhattan.<br> In 1987, a fire struck the Biltmore. The blaze, which was later determined to be an act of arson, destroyed the interior. After the fire, the building would sit vacant for fourteen years, suffering more structural damage from water and vandals. The theatre's ownership changed hands several times between 1987 and 2001, but most plans proposed for its future use - such as a showcase for "Best of Broadway" revues - were rejected since its New York City landmark designation required it to operate only as a legitimate Broadway house if renovated. <a href="http://en.wikipedia.org" target="new">Source</a>

The Palace Theatre is a legitimate Broadway theatre located at 1564 Broadway in midtown-Manhattan.<br> Designed by architects Kirchoff & Rose, the theatre, built by California vaudeville entrepreneur and Broadway impresario Martin Beck, experienced a number of problems before it opened. E. F. Albee, one of the main executives for B. F. Keith and his powerful vaudeville circuit, demanded that Beck turn over three-quarters of the stock in the theatre in order to use acts from the Keith circuit. In addition, Oscar Hammerstein was the only person who could offer Keith acts in that section of Broadway, so Beck paid him off with $225,000. The theatre finally opened on March 24, 1913 with headliner Ed Wynn. To "play the Palace" meant that an entertainer had reached the pinnacle of his career, and it became a popular venue with performers like Sarah Bernhardt, Eddie Cantor, Bob Hope, Fanny Brice, Sophie Tucker, George Jessel, and Jack Benny. <a href="http://en.wikipedia.org" target="new">Source</a>

The Center for Performing Arts at Rhinebeck (known familiarly as The CENTER, and legally as Rhinebeck Performing Arts, Inc. or RPA) is a non-profit arts organization which offers performances and classes throughout the year. Performing and teaching artists are of local, national and international talent. <br> The Center serves as a regular performance venue for local theater companies including CENTERstage Productions (Death of a Salesman, Cabaret, My Fair Lady) the Gilbert & Sullivan Musical Theater Company (The Mikado, A Little Night Music, The Pirates of Penzance), Kids on Stage (Cinderella, The Emperor's New Clothes), Rhinebeck Theater Society (HONK!, The Complete Works of Shakespeare, Abridged, Oliver!), and Up In One Productions (Chicago, Fiddler on the Roof, The Wizard of Oz). The CENTER also hosts appearances by artists such as Jeff Boyer, Brian Bradley, Elaine Colandrea, Alpin Hong, Kitty Jones, Jeff McBride, The Puppet People, Solas an Lae, Tanglewood Marionettes, Pitchfork Militia, Barbara Rankin, and David Temple, to name a few.